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Music CD - Indigenous: Chasing the Sun
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Music CD: Chasing the Sun
Artist: Indigenous
List Price: $18.98
Our Price: $9.34
Your Save: $ 9.64 ( 51% )
Availability: Usually ships in 24 hours
Manufacturer: Vanguard Records
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Average Customer Rating:  
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Tracks:
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1. Runaway
2. I'll Be Waiting
3. Number Nine Train
4. Come On Home
5. Fool Me Again
6. Feel Alright
7. The Way You Shake
8. Out Of Nowhere
9. Leaving
10. Born In Time
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Binding: Audio CD
EAN: 0015707980029
Label: Vanguard Records
Manufacturer: Vanguard Records
Number Of Discs: 1
Publisher: Vanguard Records
Release Date: 2006-06-13
Studio: Vanguard Records
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Spotlight customer reviews:
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Customer Rating:
Summary: Indigenous is AMAZING
Comment: I recently saw Indigenous play out at the Roxy near Tahlequah, Oklahoma during the Cherokee Nation annual festival and he was truly amazing. It is not often that you see a lead singer who also plays lead guitar, and who writes his music as well. He is, all around, an excellent musician. I recommend this particular CD highly. Some of his earlier ones I was not as big of a fan, but he is growing and maturing in his music. I plan to see him again on June 8 at Cain's Ballroom in Tulsa. I am sure it will be an awesome concert.
Customer Rating:
Summary: Disappointed
Comment: I remember when CDs first came out - one of the big selling points was that they would last forever. Well, I proved that one wrong listening to "Things We Do" often enough in the two years after I bought it that it started to skip in places no matter how much I cleaned it. The guitar pyrotechnics were great, the riffing was top-notch, the band was tight and provided great accompaniment to Mato's soulful deliveries. So naturally I was drooling in anticipation when I saw a new Indigenous release coming out. I wasn't particularly impressed with the self-titled disc, but I chalked it up to sophomore slump. Now I see that it's more of a linear progression, or should I say regression. The new disc is listenable, but it just doesn't reach out and grab you by the throat like "Things We Do" did. The backing band plays it so straight, they could be autopilot. Now blues is a pretty straightforward format in a lot of ways. We appreciate it because its pure. But it does have an element of swing to it when its done properly. That's why you can often two-step or swing dance to it. This is like having Rycrisp crackers after a banana split. There's a lot missing from what was there before. I guess the key word here would be "uninspired". I'm going to go back and dig out my old disc again and fast forward past the parts that skip... I wish I would have spent the money on a new copy of that instead.
Customer Rating:
Summary: Great covers and great style
Comment: This is a great rocked-out blues album doing serious homage to Stevie Ray Vaughn. I'm very glad the artist is now branching out on his own. He's definitely got the talent to do this and I'm looking forward to seeing more of this happen as he earns his place in the music world.
Customer Rating:
Summary: Egotistical Blowhard
Comment: I went to see Mato's reinvented Indigenous 2 nights ago with high expectations. I have been a fan and seen him many times with the family members that he has since DUMPED because someone got him to believe they weren't good enough. The sound mix was so BAD it was painful to my ears, it physically hurt. Mato came off so look-at-me egotistical it would have been laughable if it wasn't so offensive. New band members - nothing special, certainly no great improvement from his family which he obviously does not understand was a portion of his band's original appeal. I walked out on a 15 dollar ticket to save my ears. In the past couple days I have visited with a few people and they ALL said the same word "DISAPPOINTING".
In summation - I highly recommend the early Indigenous recordings. I strongly advise you to AVOID the new and supposedly improved "Mato" and any new recordings. Hopefully he will come back down to earth and rediscover his roots but I doubt it. I gave 1 star only because the review format forced me to.
Customer Rating:
Summary: Mato Rated with SRV, Clapton,. Hendrix??
Comment: This is what the front of my new Indegenous cd says. Early on, there was Jimi Hendrix and Eric Clapton, Then later Carlos Santana and SRV. Heres a new name to throw on the blues rock alter Mato Nanji.
Are you serious? This is a misprint!! I demand my money back! This cd blows! I have been hearing about Mato lately and figured I couldnt go wrong! This cd is a joke. I could play better then this guy and that aint no laughing matter! I spent $19 dollars on this false advertisemnet. I should sue the record company for placing that quote on the front of the cd. I will never spend any money on this guy again. Is this what a recoed company has to do to sell something. Geeesh. Mato has a horrible voice to boot. This guy dont even come close to the guitarists it advertises. If you want a guitar player that fits in with SRV, Santana, Hendrix, Clapton, check out Joe Bonamassa!! Joe would blow this guy completely off the stage! Please people, get real! There are way too many other great guitarists that are much better these days. If you wants some blues that is just another Texas style guitar player buy this but Im getting burned out on SRV knockoffs!
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Editorial Reviews:
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Though the name "Indigenous" reflects frontman Mato Nanji's heritage as a member of the Nakota tribe, on Chasing the Sun he sounds more like a member of the tribe of Stevie Ray Vaughan soundalikes. Not that this is necessarily a problem when the songs are so strong, the singing so soulful, and the guitar playing so striking. (Even Vaughan was initially typecast as an imitator of Jimi Hendrix, whose influence permeates the guitar tone on this album's "I'll Be Waiting" and "Leaving.") Whereas Indigenous earlier featured Nanji fronting a family band, these days he pretty much is Indigenous (though sidemen still include his bassist brother Pte). The opening "Runaway" channels so much of Vaughan's signature style that listeners might well mistake it for Stevie Ray, though the album ultimately extends its range to encompass the Allmanesque balladry of "Come on Home" and the bluesy twist given Bob Dylan's closing "Born in Time." What he lacks in originality, Nanji offsets with chops and conviction. --Don McLeese
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