Music CD - Zero 7: The Garden

	Music CD: The Garden Artist: Zero 7 List Price: $15.98 Our Price: $6.95 Your Save: $ 9.03 ( 57% ) Availability: Usually ships in 24 hours Manufacturer: Atlantic / Wea
Average Customer Rating:
Tracks: 1. Futures 2. Throw It All Away 3. Seeing Things 4. The Pageant Of The Bizarre 5. You're My Flame 6. Left Behind 7. Today 8. This Fine Social Scene 9. Your Place 10. If I Can't Have You 11. Crosses 12. Waiting To Die
Binding: Audio CD EAN: 0825646338023 Label: Atlantic / Wea Manufacturer: Atlantic / Wea Number Of Discs: 1 Publisher: Atlantic / Wea Release Date: 2006-06-06 Studio: Atlantic / Wea
Related Items Simple Things When It Falls Versions Colour the Small One Lunático
Spotlight customer reviews: Customer Rating: Summary: Zero7's The Garden Comment: This is a wonderful unusual new music. Where most music is canned, packaged, and group surveyed this feels clean and alive. They are an amazing group of talented musicians, gifted singers with some amazingly alive songs. Customer Rating: Summary: Love it Comment: I am new to this group, and I freakin' love the Garden. I guess given the other reviews, I should go and listen to their other stuff, but as an introduction, I'm totally enamored. Customer Rating: Summary: How Does Your Garden Grow? Comment: Zero 7's first two albums embody the warmest melancholy I've ever heard, the musical crack when a frown is bent into a smile, the slight hum when the sighs of the heart are torqued from end to end into a bass and treble clef. Fans of the UK-based duo will know what I'm talking about: never has distant sun seemed so cool, never have lonely breezes brushed so warm. "The Garden" is an interesting turn for the group. They've traded in Simple Things for a complex cornucopia of backyard flora. Their normally cascading melodies have each been caught When It Falls and planted into sunny soil, well-watered, loamy, rich, healthy. The result is certainly beautiful, even if it doesn't sway with the same sweet bitterness that made the first two records such deep, soulful successes. You still have the duo's uncanny ability to mold a tune, and Shia's unmistakable pipes are still present, but now there's an almost Playskool type of playfulness to songs with lyrics and titles that are less than sunny. "Waiting To Die" sounds like an adult's nursery rhyme. "You're My Flame" is a brassy, brash digi-pop ditty. "Throw It All Away," with its muted trumpets and synthesized swoops, is about as groovy as Zero 7 gets, with a smirk thrown in to boot. And "The Pageant of the Bizarre"? It sounds exactly like the name implies; like a circus calliope that's been retro-fitted with a few extra pipes. The group's usual simmer isn't gone. "Crosses," "If I Can't Have You," "This Fine Social Scene," and "Futures" are all reminiscent of the early years of Zero 7. But in keeping with this new, deep-rooted direction, the tunes all bristle with a new, restless energy. The trademark instrumentals suffer some under the buzz ("Your Place" gets a bit big-bandish), but the vocalized songs flourish under this brand new solarity. Customer Rating: Summary: a lapse... Comment: As a long-time fan of Zero7, I - like many others - was very anxious to see what lay in store in their third outing; the cover art and name reving up my expectations of something incredible. My experience, though, was one of fairly great disappointment. Z7 has always been a sort of categorical doppelganger to Air, in my eyes (and ears). Both pioneers in the chillout genre, both Duos, and both usually releasing albums within close proximity of each-other. Air has always been the more experimental group, traveling through avant-garde circles. Zero7 has served to balance the spectrum by providing very accessible albums that you can simply put on and listen to in almost any situation, while also appreciating the sophistication and artistry in their work. They (joined only by Thievery Corporation) have been almost sonic-diplomats, helping to bring this style of music to those on the fence who would never listen to the more polarized musings of, say, Goldfrapp. All of that said, I just found this album to be boring and unrewarding. Some reviewers have made comparisons to both 60's and 80's music, but if anything I think most of the songs here suffer from a very 2-dimensional assemblage of tired disco beats and surprisingly vacant lyrics. In fact, about the only song I enjoy listening to is "Futures". For some, the more up-beat nature of 'The Garden' may be exactly what they needed to get into Zero7, as Simple Things and When It Falls contained very hushed and intimate soundscapes. I'm not one of those people. It felt contrived (although sincere in concept), and more than anything, annoying. The change of vocalists could have been done interestingly, but they failed at this, and produced a very flat sound. Change is vital in the growth of any good musician, but in that process there are always missteps, and to me that's exactly what 'The Garden' is. But I do hope they will change course again before the next album, or I won't be buying it either. Customer Rating: Summary: Still Zero 7, Still Amazing Comment: After two fantastic, well received albums of trance-inducing British rock/soul; Zero 7 alter their style slightly and experiment with mood and texture on this third outing, with excellent results. For fans of the two previous releases, you should expect much more variation and diversity on "The Garden", breaking up the tone a bit more....the album feels more up-tempo and aggressive and less melacholy and sedate than either "Simple Things" or the now classic "When It Falls". Whether the shift in style is an improvement or not is debatable; I found it a bit difficult to get used to, but quickly grew to enjoy the album immenseley. The main difference is a bit more energetic, upbeat approach to songwriting, which is not necessarily a bad thing. It's good to see this band growing and experimenting while stretching their creativity a bit more than they used to, and they do still have that undefinable, moody feel that makes Zero 7 unique, with retro guitar vibes and washes of Mellotron and synth...it's just a bit different and more varied in content and direction than the band's previous output. Recommended! More Reviews
Editorial Reviews: "Upbeat" seems like an odd description of a recording that includes song titles like "Throw It All Away" and "Waiting to Die." Yet fans of Zero 7 (the English sound-design duo of Henry Binns and Sam Hardaker) will indeed discover that the group's third release exhibits a slightly more animated pace--more multitempo than downtempo--than its predecessors, the seductively trippy Simple Things and the like-minded When It Falls. Craving a follow-up to the breathy, interstellar soul of "Destiny" from the group's debut disc, or "Passing By" from When It Falls? You may struggle to find similar magic here. Even so, The Garden is an intriguing listen, showcasing the sophistication that makes Zero 7 the Steely Dan of chillout--wry, intelligent lyrical observations, inventive musicianship, a detached sense of cool forged by the duo's heady blend of folk, jazz, '70s soul, and electronica. The Kraftwerk-like "Seeing Things"--the disc's lone instrumental--and the pulsing "You're My Flame" are useful tracks to gauge this album's elevated vibrancy. Sia Furler is the group's only returning vocalist, and the absence of Sophie Barker and Tina Dico, the gentle Christine McVie counterpoints to Furler's rough-hewn Stevie Nicks, is noticeable. Mozez and his Seal-like soul is also gone, replaced by more folk/pop-oriented José Gonzãlez. Binns even spends 80 seconds as the quiet lead voice on the slow-building brass outburst "Your Place." Furler's up-and-down vocals on "The Pageant of the Bizarre" will stick in your mind, but her best work comes on two clever lampoons of pampered lifestyles, "This Fine Social Scene" and "Waiting to Die." (Sample lyric: "Now is a good time for tasty glass of wine; let's not worry ourselves about carbon dioxide.") Different, yes, but worthwhile. --Terry Wood