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Music CD - The Rolling Stones: Forty Licks

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Music CD: Forty Licks Artist: The Rolling Stones
List Price: $29.98
Our Price: $14.00
Your Save: $ 15.98 ( 53% )
Availability:
Manufacturer: Abkco
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Average Customer Rating:     

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Tracks:
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1. Street Fighting Man 2. Gimme Shelter 3. (I Can't Get No) Satisfaction 4. The Last Time 5. Jumping Jack Flash 6. You Can't Always Get What You Want 7. 19th Nervous Breakdown 8. Under My Thumb 9. Not Fade Away 10. Have You Seen Your Mother Baby? 11. Sympathy For The Devil 12. Mother's Little Helper 13. She's A Rainbow 14. Get Off My Cloud 15. Wild Horses 16. Ruby Tuesday 17. Paint It Black 18. Honky Tonk Women 19. It's All Over Now 20. Let's Spend The Night Together
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Binding: Audio CD EAN: 0018771404026 Format: Original recording remastered Label: Abkco Manufacturer: Abkco Number Of Discs: 2 Publisher: Abkco Release Date: 2005-02-15 Studio: Abkco
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Spotlight customer reviews:
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Customer Rating:      Summary: 40 Licks, 5 Stars Comment: The Stones at their vintage best! Well engineered. Almost all the great songs the Rolling Stones put out in their first 20 years of rock and roll music.
Customer Rating:      Summary: Forty Licks Comment: Hi, easy & effortless transaction, well pleased with the product & the service provided by Amazon.
Graham
Customer Rating:      Summary: Best Bet For The Casual Fan Comment: This is a must have CD for any casual Rolling Stones or Classic Rock fan. It has, arguably, all of their greatest hits. The sound quality is excellent and at $25 it's a pretty good value especially considering the Top 40 garbage played on most radio stations will cost you $15 per CD nowadays.
Customer Rating:      Summary: All Great Songs Comment: Every song on both discs are songs I remembered and enjoyed. If you are a Stones fan it doesn't get much better.
Customer Rating:      Summary: It's all about Losing My Touch Comment: What need be said about the Stones song book that hasn't already been said? They are The World's Greatest Rock and Roll Band simply because of their tunes. Most will love the older tunes more than the new ones, but those with open ears and minds should listen to Losing My Touch. Keith puts more emotion in the singing of that ballad than anything Mick has done in 20 years. Not always in key or in time, but Keef absolutley nails the sentiment of that tune. 10 stars for that song alone. The other new ones are disposable, but Losing My Touch is killer stuff!
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Editorial Reviews:
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The band that proclaimed itself "The Greatest Rock & Roll Band in the World" has long since represented rock's most overarching confluence of art and commerce--with a distinct emphasis on the latter in recent decades--a notion this 40-track, five-decade-spanning anthology can't completely escape. While this is the first anthology to gather hits from the band's entire career, it's the early tunes that highlight one of the Stones' central ironies: virtually their entire "bad boy" reputation was built working for The Man. That original '60s musical arc bounded from '50s rock and R&B revivalism ("Not Fade Away," "The Last Time") to anti-Mop Top aggression ("Satisfaction," "Get Off My Cloud," "19th Nervous Breakdown") to proto-goth cynicism ("Paint It Black," "Have You Seen Your Mother Baby") and psychedelic minstrelsy ("She's a Rainbow," "Ruby Tuesday") to the epitome of blues-based cock rock ("Street Fighting Man," "Jumpin' Jack Flash") in quick succession. Wresting control of their own destinies--and future copyrights--at the end of the '60s, they'd spend the next 30 years largely recycling their earlier incarnation ad infinitum--their music sprinkled with occasionally successful forays into contemporary club and disco fodder ("Some Girls," "Shattered")--and resting on their well-paid laurels. Unfortunately, the listless quartet of new tracks that flesh out this collection seems little more than another business deal to hype their 2002-03 world tour, with "Don't Stop" arguably the weakest in a long string of post-'80s Stones McSingles. If Jagger seems typically detached here, Keith Richards injects some welcome, craggy warmth into the closing barroom lament, "Losing My Touch." But it's also a performance that suggests his legendary band has become little more to him than "The Greatest Day Job in the World." --Jerry McCulley
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