Music CD - Van Halen: The Best of Both Worlds

The Best of Both Worlds. Van Halen Tracks: Eruption, It's About Time, Up For Breakfast, Learning To See, Ain't Talkin' 'Bout Love, Finish What Ya Started, You Really Got Me, Dreams, Hot For Teacher, Poundcake, And The Cradle Will Rock, Black And Blue, Jump, Top Of The World, (Oh) Pretty Woman, Love Walks In, Beautiful Girls, Can't Stop Loving You, Unchained
Music CD: The Best of Both Worlds
Artist: Van Halen

List Price: $24.98
Our Price: $14.74
Your Save: $ 10.24 ( 41% )
Availability: Usually ships in 24 hours
Manufacturer: Rhino / Wea
Average Customer Rating: Average rating of 3.5/5Average rating of 3.5/5Average rating of 3.5/5Average rating of 3.5/5Average rating of 3.5/5

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Tracks:
1. Eruption
2. It's About Time
3. Up For Breakfast
4. Learning To See
5. Ain't Talkin' 'Bout Love
6. Finish What Ya Started
7. You Really Got Me
8. Dreams
9. Hot For Teacher
10. Poundcake
11. And The Cradle Will Rock
12. Black And Blue
13. Jump
14. Top Of The World
15. (Oh) Pretty Woman
16. Love Walks In
17. Beautiful Girls
18. Can't Stop Loving You
19. Unchained

Binding: Audio CD
EAN: 0081227896126
Format: Original recording remastered
Label: Rhino / Wea
Manufacturer: Rhino / Wea
Number Of Discs: 2
Publisher: Rhino / Wea
Release Date: 2004-07-20
Studio: Rhino / Wea

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Spotlight customer reviews:

Customer Rating: Average rating of 3/5Average rating of 3/5Average rating of 3/5Average rating of 3/5Average rating of 3/5
Summary: Highly Flawed
Comment: First of all, this is album is tainted politically. This was at the time when Eddie was having issues with Roth, and they were writing a few tunes with Sammy Hagar; hence, the over abundance of Sammy material.

This is simply unfair. If anything, it should be more Roth, but at least could've split evenly. Their most substantive material was written with Roth. That is fact. Now, I dig the Red Rocker, too, but lets be real about it, Roth era was the best.

Eddie's goddamn ego taints everything. Take, for instance, the lack of material from VH III! I know this album sucked, but christ, lets not pretend it didn't happen. Throw us a track or two.

This is a good compilation for the ladies, as it has plenty of Sammy soft rockers on it.

I do not recommend this.

Customer Rating: Average rating of 2/5Average rating of 2/5Average rating of 2/5Average rating of 2/5Average rating of 2/5
Summary: This remastering job isn't good
Comment: The song list is great. I don't care that the Dave stuff is mixed in with the Sammy stuff. It's all good.

The two stars are there because of the mastering job. What "remastering" really means is this: "We're going to throw a bunch of compression on the original mix. It doesn't matter that we're adding distortion (where it doesn't belong), raising the noise floor, and killing the dynamics, as long as we can get more level out of it. The folks that mastered Van Halen's previous studio albums didn't know what the hell they were doing anyway."

I would never have bought this if it wasn't for the three new Sammy songs. Unless you need the complete Van Hagar era, stay away from this.

Customer Rating: Average rating of 3/5Average rating of 3/5Average rating of 3/5Average rating of 3/5Average rating of 3/5
Summary: Haphazard track order spoils album
Comment: The order of the tracks completely ruins this album for me. It should be arranged in roughly chronological order or at least separated by lead singer. The three new tracks are not very good and this is made worse by placing them as tracks 2-4. The selection of songs is not so bad otherwise, although the live versions with Hagar performing a few of Roth's hits are a largely a throw-away as far as I'm concerned.

I only bought this version because of the fact that it includes everything on Best of Van Halen, Vol. 1. I intend to separate the tracks myself and burn one CD for Sammy Hagar and one for David Lee Roth. The original CDs will sit unused on the shelf.

Customer Rating: Average rating of 1/5Average rating of 1/5Average rating of 1/5Average rating of 1/5Average rating of 1/5
Summary: Big egos and horrible sequencing ruin this VH comp; good track selection though
Comment: BEST OF BOTH WORLDS, while showcasing some undeniably powerful music, becomes, in the end, a mean spirited, classless greatest hits collection, meant at elevating Hagar over Roth every chance it gets. This anthology leaves the fans little doubt that the 1996 debacle of the Hagar firing/resignation (depending on who tells the story) and rehiring of Roth (and then immediate firing) rests solely on the head of Eddie Van Halen.

There's always fierce debate over two incarnations of Van Halen. Personally, I do not align myself exclusively with either camp, as I am a fan of the band's music made with both frontmen, though I do see the advantages and disadvantages of each.

When Roth fronted them from their commercial breakout in 1978 to the Van Roth's demise in 1985, Van Halen was known for wildly inventive guitar from Eddie, over-the-top vocals and theatrics from Roth, and killer live shows. Roth was the prototypical rock frontman: a larger than life caricature who embodied all the fratboy tendencies of the party-hearty rock and roll lifestyle. The genius of David Lee Roth as the prototypical rock and roll front man is his larger-than-life personae, his gonzo rock antics, and his wild, crazy partycentric lifestyle. Much of the appeal of Van Halen was this larger-than-life frontman.

Roth decided to pursue his own (aptly insubstantial) solo career, and Van Halen brought in Sammy Hagar, frontman to the heavy metal outfit Montrose. When Hagar replaced Roth, there was, naturally, no way for him to replace Roth as the front man without an image modification for the band. While Roth was almost a caricature of himself, a party-hearty animal, Sammy Hagar brought a much more down to earth approach to the whole rock front-man scene.

While Van Hagar churned out the slick guitar work the band was known for, they became a much more smooth adult pop sounding band. The Van Hagar years certainly had as many hits as Roth, Hagar always found himself living in the shadow of his predecessor. Sammy Hagar was much more of an everyday kind of guy than Roth, and he simply didn't have the larger than life persona that made Roth so appealing to the band's fanbase. He was the meat and potatoes front man while Roth was the caviar on a yacht out in the Carribean front man. Each has their strengths.

After the brief marriage and sudden divorce with Gary Cherone as Van Halen's frontman (a move that would cost the band their record contract, alienating the large majority of their fanbase; tellingly enough, nothing from Van Halen III is present here - the best of both worlds indeed), Van Halen lapsed into a musical silence that as of this writing still goes unbroken (save for the obligatory three new tracks presented here). Everyone wanted a reunion, but they wanted Roth. Eddie would have none of that. Instead, he brought Sammy back into the fold for three new songs and a reunion tour.

This compilation is a result of that tour. After the band never released the "Vol II" continuation of the 1996 retrospective "Greatest Hits," many fans wondered if we'd ever get a good official sampler of Van Halen. So far, with this addition to the canon, the fans still don't have one.

BEST OF BOTH WORLDS, while it certainly has a well-chosen track selection, plays as just a dirty way for Eddie and the boys to downplay Roth at everystep of the way. Roth gained the band much of their initial popularity, so there's no way even Eddie can ignore Roth's contributions. But BOTH WORLDS is a disaster, because it has this stuttering, start-start rhythm as Sammy and Roth continually juxtapose each other, and the album never really gains a flow. Had it been arranged chronologically, with Dave and Sammy having their own disc, this would be the definitive sampler of Van Halen. This is the perfect example of how track sequencing can ruin albums and compilations, as this comp has all the biggest VH songs from both frontmen.

As it stands now, however, BEST OF BOTH WORLDS just becomes a petty swipe at David Lee Roth, all at the expense of the fans. There are no pictures of him in the liner notes (save the album covers), barely a mention of him, and continual, over the top praising and adulation of Sammy Hagar. Then, to make matters even more insulting, they close out the album with Hagar singing three Roth tunes live.

In the end, BEST OF BOTH WORLDS have all the right things going for it to be a great Van Halen retrospective, featuring the strengths of both incarnations of the band. But just like the band's career itself, this compilation becomes just another casualty in the midst of ongoing ego wars. And who really loses? The fans, that's who.


Customer Rating: Average rating of 5/5Average rating of 5/5Average rating of 5/5Average rating of 5/5Average rating of 5/5
Summary: Van Halen rocks!!!
Comment: I love this Van Halen CD and Van Halen are one of my favorite bands of all time. This is a great CD containing all their best songs. The best song is Poundcake. I think both David Lee Roth and Sammy Hagar are great singers and these Van Halen guys should be honored for making such great music. My favorite tracks would be Poundcake, Jump, And the Cradle Will Rock..., Ain't Talkin Bout Love, Right Now, and Unchained!! VAN HALEN FOREVER!! GET THIS CD TODAY!!


Editorial Reviews:

One shouldn't have too much difficulty imagining a two-disc Van Halen compilation entitled The Best of Both Worlds. The first disc will showcase the David Lee Roth-fronted version of the band that reenergized hard rock with its titanic 1978 debut and peaked commercially with 1984's, uh, 1984. Disc two will take up where David Lee was left off--from 1986 on, when Sammy Hagar (and, briefly, Hagar-sound-alike Gary Cherone) took over the mike. Well, unfortunately, that's not the anthology assembled this time out. Rather than sequence the selections chronologically and, in the process, display the band's evolution (or devolution, depending on where one stands in the great Roth/Hagar debate), the band has opted for a more eccentric sequencing strategy. After the opener "Eruption" confirms the sass and chops of the young VH, three fairly uninspired new tracks featuring a back-in-the-fold (for now?) Hagar interrupt the flow. Unfortunately, the flow never really recovers, as Roth and Hagar tracks leapfrog one another through the next 29 selections. Three live Hagar takes on songs from the Roth era finish things off in confusing fashion. Obviously, there's plenty of powerful music here, but do fans really need a lesson in what happens when worlds collide? And didn't David Lee earn at least one photo in the package? --Steven Stolder


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