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Music CD - Norah Jones: Feels Like Home

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Feels Like Home. Norah Jones Tracks: Sunrise, What Am I To You?, Those Sweet Words, Carnival Town, In The Morning, Be Here To Love Me, Creepin' In, Toes, Humble Me, Above Ground, The Long Way Home, The Prettiest Thing, Don't Miss You At All
Music CD: Feels Like Home
Artist: Norah Jones

List Price: $18.98
Our Price: $4.19
Your Save: $ 14.79 ( 78% )
Availability: Usually ships in 24 hours
Manufacturer: Blue Note Records
Average Customer Rating: Average rating of 3.5/5Average rating of 3.5/5Average rating of 3.5/5Average rating of 3.5/5Average rating of 3.5/5

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Tracks:
1. Sunrise
2. What Am I To You?
3. Those Sweet Words
4. Carnival Town
5. In The Morning
6. Be Here To Love Me
7. Creepin' In
8. Toes
9. Humble Me
10. Above Ground
11. The Long Way Home
12. The Prettiest Thing
13. Don't Miss You At All

Binding: Audio CD
EAN: 0724358480009
Label: Blue Note Records
Manufacturer: Blue Note Records
Number Of Discs: 1
Publisher: Blue Note Records
Release Date: 2004-02-10
Studio: Blue Note Records

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Spotlight customer reviews:

Customer Rating: Average rating of 5/5Average rating of 5/5Average rating of 5/5Average rating of 5/5Average rating of 5/5
Summary: Solid, seductive, very, very good music ...
Comment: As a wonderful gift from my much more musically-astute son and daughter in-law, this was my first introduction to Norah Jones. I'm now a fan.

Although the daughter of Ravi Shankar of '60's sitar fame, the Eastern influences she undoubtedly must have are not evident. All vocals, some covers, mostly her own excellent music and introspective lyrics ("What Am I to You?" is extraordinary). Her presentation is unlike any I've heard exactly - slow, soft, low key, jazz-influenced, subtle. A little country, but not much. Slow tempos, almost rhythm-less, nicely paced. Hard to define, seemingly many different influences, possibly even a stylistic throwback to earlier times, maybe the '30-'40's. Very far removed from rock or pop or up-tempo jazz, would not appeal to everyone.

Her clear, unadorned vocals are backed by a small, excellent, mostly acoustic (yes, and handsome!) band. The recording is very well balanced, specifically not at all over-produced or commercial-sounding.

Very, very well done - not for the car sound system in traffic, deserves to be heard in a quiet environment on a good system, ideally with your soulmate. An absolute breath of fresh air for good music lovers!

Customer Rating: Average rating of 4/5Average rating of 4/5Average rating of 4/5Average rating of 4/5Average rating of 4/5
Summary: awesome
Comment: Nora has done it again, if you love her sultry voice you will love this CD

Customer Rating: Average rating of 1/5Average rating of 1/5Average rating of 1/5Average rating of 1/5Average rating of 1/5
Summary: The most overrated female vocalist of all time
Comment: I simply don't get how on earth this singer gained so much popularity. With her 'average at best' voice, painfully dull and mediocre arrangements, lyrics that say a whole lot of nothing (most of which she doesn't even write)...what is there to like? And what clown ever classified her as a jazz singer? She's really closer to worn out dive bar singer at remote casino on an Indian reservation somewhere. This is a classic case of alot unwarranted hype heaped on a low talent artist in order to sell albums...what a sham!

Customer Rating: Average rating of 4/5Average rating of 4/5Average rating of 4/5Average rating of 4/5Average rating of 4/5
Summary: Norah -Feels Like Home
Comment: I enjoyed the CD, the style of Norah's singing is a little different than some of her other work, but I still found it enjoyable to listen to.

Customer Rating: Average rating of 3/5Average rating of 3/5Average rating of 3/5Average rating of 3/5Average rating of 3/5
Summary: Norah goes a little country
Comment: On Feels Like Home, Norah Jones's sophomore album, she explored a more country-themed sound appropriate to her Texan roots and foreshadows her work with The Little Willies. The opening track Sunrise has percussion reminiscent of a horse's hooves clip-clopping away on some dusty trail straight out of an old Western, while What Am I To You flirts with blues that call to mind Norah's performance on Peter Malick's New York City. Be Here to Love Me is a beautiful slow waltz, while Creepin' In is a spirited, buoyant duet with Dolly Parton(!) laced with slide guitar. Long Way Home has a bouncy backing that reminds me of a jug band, while Humble Me is a steel-string guitar and Norah's soft croon. The remaining tracks capture the sort of laid-back (some critics called it "sopophoric") sound that Norah made famous on her debut Come Away with Me, albeit with more of a countryish edge (steel guitar, lilting country and western rhythms).

To be honest, I was working at a Barnes & Noble music department when this album was released, and I instantly took a dislike to it and tried to tune it out when we used it as in-store play. I wasn't terribly fond of the country overtones (country is one of the few musical genres that I can't stand, even though I live in Texas!), the songs weren't memorable, and there was a stylistic mismatch between the country tracks and Norah's other playing/writing style; Feels Like Home felt like it wasn't quite sure what it was trying to be. However, when I was recently on vacation and heard this played in a shop, I was drawn to it and decided to give it a second chance. I would place this second out of Norah's three albums so far (I really didn't like Not Too Late), and if you're a fan of country, you might like this more than I did. It does have some well-written songs and Norah's wonderful piano and voice to recommend it, but I still think that Norah's first album was her most versatile due to its seamless fusing of standards, country, and jazz. Feels Like Home felt less balanced overall.


Editorial Reviews:

Norah Jones blew everybody away with her jazzy, country-tinged, Grammy-winning debut CD, Come Away with Me. On this recording, Jones doesn't mess with her trademark formula. Under Arif Mardin's cozy coproduction, Jones is supported by her writing partners, her Handsome Band, and some special guests (country legend Dolly Parton, Levon Helm and Garth Hudson of the Band, and jazz drummer Brian Blade, to name a few). Jones's Texas-twanged vocals and her sparse acoustic and electric Wurlitzer piano lines enliven the CD's 13 tracks, from the light and lively single "Sunrise" to Tom Waits's "The Long Way Home" and the bouncy duet with Parton, "Creepin' In." Jones's soul-baring piano/vocal rendition of Duke Ellington's "Melancholia," retitled "Don't Miss You at All," proves she's a true Blue Note artist with unlimited potential. --Eugene Holley Jr.


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