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Music CD - Miles Davis: In Person Friday and Saturday Nights at the Blackhawk, Complete
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Music CD: In Person Friday and Saturday Nights at the Blackhawk, Complete
Artist: Miles Davis
List Price: $44.98
Our Price: $32.54
Your Save: $ 12.44 ( 28% )
Availability: Usually ships in 24 hours
Manufacturer: Sony
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Average Customer Rating: 
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Tracks:
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1. Oleo
2. No Blues
3. Bye Bye (Theme)
4. If I Were A Bell
5. Fran Dance
6. On Green Dolphin Street
7. The Theme
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Binding: Audio CD
EAN: 0696998710627
Format: Box set
Label: Sony
Manufacturer: Sony
Number Of Discs: 4
Publisher: Sony
Release Date: 2003-06-03
Studio: Sony
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Spotlight customer reviews:
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Customer Rating:
Summary: The definitive version
Comment: Some of these recordings are available elsewhere...but they are incomplete ! This is the COMPLETE Friday and Saturday night excursions into jazz nirvana Miles put down so many years ago. Having listened to the scratchy , edited vinyl releases of these for years , it was GREAT to have these released in 2003.
Customer Rating: 
Summary: Goodnights.
Comment: This is a very good purchase for fans of Miles Davis and the sound of that time. It is a double album but many of the tracks are redundant. If you like the live format, and are interested in these particular performers, this is a
"must have" album.
Customer Rating:
Summary: ONLY ONE WORD: MAGIC
Comment: First, sorry for my english. If you close your eyes , you can feel the ambiance of the Blackhawk.
Great the rythim section, Winton Kelly is the third leader. Hank Mobley is one of my favourites, but we can understand the legend of champions of middleweight's tenors. His sound i't's so sweat, don't have the power of Gordon, Coltrane, Shorter. And Miles, it's Miles, that's it's enough.
I recomand listen every record two o three times, every time put your attention in a different instrument of the song.
Customer Rating:
Summary: Mobley and Kelly play above themselves
Comment: I've known every note of the Friday Night version of "On Green Dolphin Street" since I was 15 years old -- except for the first part of Hank Mobley's solo, which was edited out for the Columbia anthology I bought. As I got to know the works of Miles Davis, I quickly realized that the song was recorded at the Blackhawk, but reissue after reissue left it out, and I cursed Columbia Records for being a bunch of idiots. But here it is, with Mobley's entire solo included, along with many other riches whose value will depend on the listener. For me, both versions of "If I were a Bell" are spectacular examples of a happiness one doesn't expect from Miles Davis (indeed, his last few notes on the Friday night version are suddenly sad, which makes a beautiful coda to the performance). The Saturday night version of "On Green Dolphin Street" is more mellow and less inspired, but the Friday version makes up for that. There is an almost menacing quality to the melody and to Miles Davis's solo, worlds apart from the luminous version recorded with Coltrane and Adderley and Bill Evans in 1958.
Above all, Hank Mobley and Wynton Kelly reached the peak of their careers that weekend. They were never as good before or after, and that is the doing of Miles Davis, who has been justly called the greatest LEADER in modern jazz. He goaded his musicians to play above themselves, and this is the prime example. For me, the best soloist on all four CDs is Kelly, who plays with a joy and confidence that are the hallmark of the set.
Customer Rating:
Summary: Let The Music Do The Talking
Comment: With the classic cover photo from the original 2-lp set intact, the four sets covering two nights at the legendary Blackhawk nightclub in San Francisco shows the potential of re-releasing live material by allowing the unedited tapes to let the music take the listener to great heights through a group that briefly backed Miles.
The April 21-22, 1961, gigs featured what some critics deemed a transitional band of Wynton Kelly (p), Paul Chambers (b), Jimmy Cobb (d) and Hank Mobley (sax). Because the group followed the quintet with John Coltrane and preceeded the historical sessions with Wayne Shorter, the ensemble - in my opinion - does not get the acclaim it truly deserves.
To hear the sets without any editing shows how each song builds upon one another and subtly shape into a dynamic that truly makes for an experience of a lifetime on stage and in the audience. The leadership and playing of Miles is nothing short of spectacular as he pushes each musician to quickly create beautiful textures on a majestic tapestry.
It is not the time a group is together, but what each member does with the studio sessions and on stage, that defines brilliance. The Blackhawk sets are a reminder of the power Miles had in challenging musicians and the audience to redefine the art of jazz.
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Editorial Reviews:
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It doesn't get much better than this: a full night of Miles Davis captured live in his prime at an intimate jazz club. In 1961, Davis, pianist Wynton Kelly, bassist Paul Chambers, tenor saxophonist Hank Mobley, and drummer Jimmy Cobb recorded at San Francisco's legendary Blackhawk. Originally released as two LPs, the complete sets, with nine previously unissued tracks, have been compiled in this superb, digitally-remastered, two-CD set. Davis's pithy and poetic trumpet tones signature a number of standards and original compositions. Backed by Kelly's in-the-pocket pianisms, Cobb's articulate drumwork, Chamber's intelligent basslines, and Mobley's Dexter Gordon-ish sax tones, Davis bares his wounded and wonderful musical soul to an engaging and enthralled audience. The elongated and illuminated renditions of the quicksilver modal number "So What," the dancing "On Green Dolphin Street," and the Latin-tinged "Neo" bridge the 1959 masterpiece LP Kind of Blue and the forthcoming '60s superband with Herbie Hancock, Wayne Shorter, Ron Carter, and Tony Williams. The scene-stealer on this date is Mobley. His ebullient tone and sterling improvisations remind us of Miles Davis's equally impressive talents and a bandleader. --Eugene Holley, Jr.
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