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Music CD - Maria Muldaur, Dan Hicks: A Woman Alone with the Blues (Remembering Peggy Lee)

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Music CD: A Woman Alone with the Blues (Remembering Peggy Lee) Artist: Maria Muldaur, Dan Hicks
List Price: $17.98
Our Price: $11.99
Your Save: $ 5.99 ( 33% )
Availability: Usually ships in 24 hours
Manufacturer: Telarc
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Average Customer Rating:     

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Tracks:
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1. Fever 2. I Don't Know Enough About You 3. Moments Like This 4. Winter Weather 5. Some Cats Know 6. Everything Is Moving Too Fast 7. Waitin' For The Train To Come In 8. The Freedom Train 9. Black Coffee 10. A Woman Alone With The Blues 11. For Every Man Ther's A Woman 12. I'm Gonna Go Fishin'
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Binding: Audio CD EAN: 0089408356827 Label: Telarc Manufacturer: Telarc Number Of Discs: 1 Publisher: Telarc Release Date: 2003-03-25 Studio: Telarc
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Spotlight customer reviews:
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Customer Rating:      Summary: She Does Peggy Lee Better Than Peggy Lee (to me) Comment: My dad really loved Peggy Lee, so I grew up hearing a lot of her songs. I kind of liked a few of her songs but there was something sort of monotone to me about the way she sang that failed to inspire.
I was actually nervous about buying this CD, afraid I would not like it very much. Boy, was I wrong. Maria pumps new life into these songs with a sauciness and bawdiness all her own that livens things up "just right."
Maria done good on this one - two thumbs up!
Customer Rating:      Summary: One of Muldaur's Best Comment: For some reason I could never stand Peggy Lee; can't quite put my finger on it but perhaps it was something about her voice that irritated me. For that reason I was a little reluctant to get this album. My doubts were gone right from the first song. Muldaur's treatment of these songs is superb and this is one of her best albums. I could be considered a bit biased. I now have 17 Muldaur albums and not a bad one in the lot; all 4 and 5 star-rated albums. One thing I have noticed too is the quality band work that backs up Muldaur on most of her albums, including this one. Buy ANY Muldaur blues album for a real treat.
Customer Rating:      Summary: take on torch songs is absolutely opaque to the influences of others Comment: A Woman Alone With the Blues
Maria Muldaur
Telarc Records CD-83568
Faced with memorial albums, such as this tribute to Peggy Lee, the critic often has trouble deciding whether to review the original artist or the one performing the covers. This is not a problem when dealing with Maria Muldaur, whose own take on torch songs is absolutely opaque to the influences of others. Even when the others are the original recording artists. Even when the other is Peggy Lee. It is true that Ms. Muldaur has never had another "Midnight at the Oasis," and that it seems difficult to keep her off of bad albums, but her own best efforts, those over which she exercises artistic control, remain the hottest burning torch songs available.
There is a late 40s-early 50s eroticism here, an old-style, sultry ambience that makes clothing sexy; that turns a clarinet line into foreplay. Instrumentation, while we're on that subject, includes guitar, piano, alto and tenor sax, clarinet, flute, trumpet, trombone, bass trombone, bass, drums and vibes. Control is a large part of this release, too. There are solos, but no excesses. Lyrics are pared to avoid repetition, and the music behind them swoops up or down appropriately with the precision and grace of a bird of prey.
Due to a circle of friends, neighbors and peers that, over the years, has ranged from Kitty Wells to Rev. Gary Davis to Bob Dylan, Maria Muldaur has been through a number of musical phases over the years, some more interesting and exciting than others, and one never knows quite what to expect from her new CDs. Thus, when something as spectacularly good as A Woman Alone With the Blues comes out, it comes with an extra kick for the buyer, something akin to doing well at the racetrack and feeling the dual exhilarations of winning and of obtaining a large sum of money.
Customer Rating:      Summary: Maria Muldaur: A Superb Blues Singer Comment: I absolutely love this album by Maria Muldaur. It may be a homage to the late Peggy Lee but Muldaur makes the songs her own. She has experimented with many genres in the past and has been successful in all that she has chosen. Muldaur should be much more well-known amongst the general public than she is but like any artist who has been pegged by a bit radio hit, such as Melanie with "Brand New Key" and Janis Ian with "At Seventeen", Muldaur is best remembered for "Midnight At the Oasis". All three artists have continued to record and have moved into different types of music. Muldaur is a true artist and this album is evidence of that.I cannot recommend it highly enough. I am certain that Peggy Lee herself would have liked it very much. The songs were specially picked by Maria after immersing herself in Peggy Lee's music and it was difficult for her to choose a limited number of great songs made famous by Peggy Lee but her selections have proven to be the best for her own renditions. It is a very fine Blues album and I have no hesitatiion in giving it five stars. It it the type of album that is not suitable for background music--it is captivating and one is drawn into really listen. That, to me, is the sign of a great album.
Customer Rating:      Summary: Better Late Than Never Comment: Based on her last two releases, Maria Muldaur has become one of my favorite singers. Her rendition of "Some Cats Know", on the Peggy Lee tribute, should be enough to convince you that she belongs in the ranks of the greats. But there is so much more to enjoy. "I Don't Know Enough About You" ,"Everything Is Moving Too Fast", "Black Coffee"...all are handled with class and sass! Now I need to start catching up on all the stuff I missed over the years. I'm looking forward to it.
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Editorial Reviews:
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From her beginnings in the sixties folk music scene in Boston, Maria Muldaur has continued to explore a range of American musics, first with the Jim Kweskin Jug Band, followed by a pair of albums with then-husband Geoff Muldaur. The '70s brought her commercial success with the release of her debut solo album and the single "Midnight at the Oasis." The '80s found her recording sets devoted to jazz, gospel, and swing, while the '90s albums celebrated her love of New Orleans and blues. A Woman Alone With the Blues is devoted to 12 songs associated with Peggy Lee. From the slow burn of "Fever" to the swinging "Everything Is Moving Too Fast," this is a well-paced set with Muldaur backed by a supple eight-piece combo. Dan Hicks guests on "Winter Weather," trading verses with Muldaur over a snappy big band arrangement. Lee's career drew from a sufficiently diverse and uniformly potent range of songwriters (Ellington, Arlen, Berlin, Leiber & Stoller, etc.) and this album is likewise rich in its breadth. --David Greenberger
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