Music CD - Hot Club of Cowtown: Ghost Train

Ghost Train. Hot Club of Cowtown Tracks: Sleep, Forget-Me-Nots, Home, It Stops with Me, Secret of Mine, Paradise with You, Fuli Tschai (
Music CD: Ghost Train
Artist: Hot Club of Cowtown

List Price: $17.98
Our Price: $7.99
Your Save: $ 9.99 ( 56% )
Availability: Usually ships in 6 to 10 days
Manufacturer: Hightone Records
Average Customer Rating: Average rating of 4.0/5Average rating of 4.0/5Average rating of 4.0/5Average rating of 4.0/5Average rating of 4.0/5

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Tracks:
1. Sleep
2. Forget-Me-Nots
3. Home
4. It Stops with Me
5. Secret of Mine
6. Paradise with You
7. Fuli Tschai ("Bad Girl")
8. You Took Advantage of Me
9. Before You
10. Cherokee Shuffle
11. Chip Away the Stone
12. Pray for the Lights to Go Out

Binding: Audio CD
EAN: 0012928814720
Label: Hightone Records
Manufacturer: Hightone Records
Number Of Discs: 1
Publisher: Hightone Records
Release Date: 2002-09-17
Studio: Hightone Records

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Spotlight customer reviews:

Customer Rating: Average rating of 3/5Average rating of 3/5Average rating of 3/5Average rating of 3/5Average rating of 3/5
Summary: Not Deep but Fun
Comment: I have to admit that I bought this solely for "Cherokee Shuffle", which is probably my favorite fiddle tune; the only thing wrong with their version of it on here is that it's too short. The rest of the CD is musically very good, especially the two violin instrumentals, and remarkably in keeping with swing style even though many of the songs are recently-composed. The songs themselves are not necessarily the most interesting, although they are well-performed.

Customer Rating: Average rating of 3/5Average rating of 3/5Average rating of 3/5Average rating of 3/5Average rating of 3/5
Summary: lacks the zip of 'tall tales"
Comment: Everything about "Hot Club of Cowtown" is implied in the band's name. Their music is a combination of Django Reinhardt's string jazz and Bob Wills' western swing. Other bands have been down this street before, such as Dan Hicks and His Hot Licks or Martin, Bogan and Armstrong, and the "neo-swing" groups that sprung up during the 90's.

In contrast to the previous "Tall Tales" which emphasized western swing, this cd tilts toward the jazzy side, and it seems a little lackadaisical. Whit Smith and Elana Fremerman both have voices that are kind of homespun in their appeal. When Fremerman attempts subtle jazz phrasings, she isn't on the level of somebody like Diana Krall. On a waltz time tune like "Before You", or negotiating a halting melody like "Home", she isn't shown at her best.

On "Sleep", and particularly with"It Stops With Me", Whit's matter-of-fact voice works well with the film noir style lyrics. But most of the album seems to lack energy. I'd go with "Tall Tales". which has a lot more spring in the playing, and some nice horn work in spots, too. It has the jolt that "Ghost Train" needs and sorely lacks.



Customer Rating: Average rating of 5/5Average rating of 5/5Average rating of 5/5Average rating of 5/5Average rating of 5/5
Summary: Best CD I heard in 2003
Comment: I saw this band in Chicago at the 2004 American Music Festival at Fitzgerald's (my favorite cultural event of the year). They blew me away with their charm, energy, and virtuosity. I picked up this CD on the spot, and immediately fell in love. Elana's vocals are sublime, and her fiddling ranges from sweet to incendiary; Whit's vocals are sly - my wife said it's the verbal equivalent of "bedroom eyes," and he's a wonderful guitarist; and Jake's bass playing is charismatic and a joy to watch in concert.

The originals here are every bit as good as the classic songs they do so well. In fact, I'd encourage them to write more!

A few months after buying this CD and listening to it many times, I had to drive a long way through bad rush-hour traffic to a wake. Normally, this would be a presciption to guarantee a foul mood. But when I popped this CD into my player... all was well in my world. It really has that kind of effect on me.

I now own all of their CDs available here - I just went to their website and see they have a few Japanese releases. I think this is their best, followed by Continental Stomp. And if they ever come to your town for a show, drop everything you're doing and make sure you get out to see them. You'll have a joyful time.


Customer Rating: Average rating of 5/5Average rating of 5/5Average rating of 5/5Average rating of 5/5Average rating of 5/5
Summary: Ghost Train
Comment: The Hot Club of Cowtown is a wonderful new group. This is their best CD, although all of them are great. They are innovative, but have respect for some of the more standard tunes. They obviously love the music they play. I have seen them twice and they are a joy to watch, lively, energetic, yet laid back. If you can't spend an evening with them, Ghost Train is the next best thing!

Customer Rating: Average rating of 5/5Average rating of 5/5Average rating of 5/5Average rating of 5/5Average rating of 5/5
Summary: Something to get your toes tappin
Comment: You would be hard pressed to find a more upbeat and lively CD. If listen to this CD and don't enjoy it, you don't like western swing. "It stops with me" I think is the best song on the album, but every song is very good.


Editorial Reviews:

Swing, à la Django Reinhardt and Bob Wills, is the jazz that even jazz haters can love. Its bouncy energy appeals to one and all, and in concert, the Hot Club of Cowtown are among the finest purveyors of the style. As players, they have absorbed all the lessons of their heroes; however, as songwriters, they missed a few. Violinist Elena Fremerman's "Home" sounds like a verse to an old standard that goes on and on without ever reaching the chorus, while Whit Smith's tale of a wicked stepmother is a relentlessly bleak essay set to perky music. Smith's "Sleep" and Fremerman's "Secret of Mine" fare better, but still pale beside the offhand brilliance of the Rodgers and Hart chestnut "You Took Advantage of Me." Swing fans will enjoy plenty of hot playing, but newcomers to the band will find some evidence of their live charm only on the Gypsy-style instrumental "Fuli Tschai" and the last track, the gospel-tinged "Pray for the Lights to Go Out." --Michael Ross


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