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Music CD - The Clash: Combat Rock
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Music CD: Combat Rock
Artist: The Clash
List Price: $11.98
Our Price: $5.42
Your Save: $ 6.56 ( 55% )
Availability: Usually ships in 24 hours
Manufacturer: Sony
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Average Customer Rating:   
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Tracks:
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1. Know Your Rights
2. Car Jamming
3. Should I Stay Or Should I Go?
4. Rock The Casbah
5. Red Angel Dragnet
6. Straight To Hell
7. Overpowered By Funk
8. Atom Tan
9. Sean Flynn
10. Ghetto Defendant
11. Inoculated City
12. Death Is A Star
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Binding: Audio CD
EAN: 0074646389621
Format: Original recording reissued
Label: Sony
Manufacturer: Sony
Number Of Discs: 1
Publisher: Sony
Release Date: 2000-01-25
Studio: Sony
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Spotlight customer reviews:
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Customer Rating:
Summary: At least they tried to do something different
Comment: unfortunatley the entire B-side of this album was an unlistenable waste. The A side is good. In this digital age I suppose that means the first half of the CD is good. Songs like "Rock the Casbah" etc. "Death is a Star" and "Ghetto Defendant" are real boring. I kept at it though when I first got this album way back when, figuring that it just might take some time to grow on me like "London Calling" did. Too bad it never did. but hey! The Clash always strove to be different, and sometimes you're on, and sometimes you're not. The Clash were more often hit the target.
Customer Rating:
Summary: Bloody Aweful (well most of it anyway)
Comment: This album marked the downfall of the Clash. Topper was kicked out shortly after its release and Mick Jones left a year later leaving only Paul Simonon and Joe Strummer. Anyway there are only a handful of good songs here: "Know Your Rights", "Should I Stay or Should I Go", "Rock the Casbah", and even "Car Jamming" and "Red Angel Dragnet". The rest is bloody aweful. The only Clash album that's worse is Cut the Crap (notice the word "Crap").
Customer Rating:
Summary: A tragic album, because they're should have been much more...
Comment: This is actually a very good, consistent record, and it ended up being The Clash's swansong. It's really a shame, because The Clash were becoming one of the biggest bands of the 80's at this point, and it's sad that they never made another album after this (Cut the Crap doesn't count). I've always really liked this one. I love the song Car Jamming, Rock the Casbah, and I love Ghetto Defendant, with lyrics and vocals by none other than Allen Ginsburg, one of my favorite poets. And the 2 hits, Rock the Casbah and Should I Stay or Should I Go? are really great tunes. Straight to Hell is creepy and eerie too. By the time this album came out, Jones and Strummer hated each other, and Topper was totally strung out on heroin (Topper was kicked out of the band because of this, the story of "political differences" was BS). It's a bloody shame, and there will never be a reunion now, since Joe has passed on. So enjoy the last album by the original Clash.
Customer Rating:
Summary: Combat Rock
Comment: The Clash-Combat Rock ***1/2
Combat Rock plays out like a condenced version of Sandinista! The only difference is that instead of focusing on the third world countries it features on America. Joe Strummer conveys some of his gretest poetry and lyrics on Combat Rock as well as some of his most creative. Mick Jones is also incredibly creative on this album, his guitar doesnt seem as occurant as normal but almost every sound on the album is from his guitar as at this time he was experimenting highly with effects pedals. The band as a whole sounds great together which is amazing when concedering all of the inner termoul that was occuring at the time.
'Should I Stay Or Should I Go' bacame the bands biggest radio hit and really their only radio hit. 'Rock The Casbah' was a cult hit when first released but over time has become a monsterous sucess, and is also one of the best songs the band ever recorded honestly.The album opens with 'Know Your Rights' which begins "This is a public service announcement, with guitars!" It is just ashame the the best song on the album came as the album started which left it nowhere to go from there. The slow jams on the album are better sometimes then others, and the overuse of spoken word can get dull for the regular listener, but for those who are really taking in what strummer is saying it comes across as almost a poerty slam thru your speakers. The dub on this album is several steps above that of the dub used on Sandinista!
As a whole the energy and message that The Clash bring to Combat Rock is something that all fans can enjoy. Now while this is not one of the bands better acheivements this is a solid album full of great songs in which everyone will find something to enjoy. After Combat Rock Strummer made the biggest mistake of his career and maybe of his life and fired Mick Jones from The Clash. After this Strummer followed this up with Cut The Crap which was basicaly a solo Strummer album with the Clash name on it. I dont mention the other members of the group on this album because the two of them had very little to do with the music at this point, Strummer was basicaly controling everything but Jones which is why he was later fired, and besides the other two were strung out on herion and just basicaly lost motive for the music at this point. Combat Rock is the last great Clash album and really one of the more important and better rock albums from the 1980's. So add it to your collection.
Customer Rating:
Summary: Profundity and prescience
Comment: I recall being somewhat disappointed in this album when it came out it 1982. After all, I was 15 and had been left reeling from the unfathomably lengthy and musically diverse Sandinista. Unrealistically, I longed for some sort of return to the pithiness of London Calling. In fact, this album does return to the immediacy of their earlier sound, but with certain innovations reflecting their increasing musical maturity and lyrical savvy.
First, the lyrics build on the depth of Sandinista's political engagement. The profundity of Joe Strummer's singing in "Ghetto Defendant" is simply not to be believed, and Allen Ginsburg's poetry complements the lyrics perfectly. Other musical innovations include the subtle, yet moving synthesizer in "Sean Flynn" (compare this wonderful synthesizer sound to the rubbish to follow throughout the rest of the 80s and you get downright depressed), Topper Headon's increasingly complex use of percussion (before he became a victim of "heroin pity"), and Mick Jones' piano. Even "Rock the Casbah," long derided as overly dance-influenced, reveals itself as predicting the North African rock- and reggae-inspired movement known as "rai"--an Arabic word meaning opinion, and whose importance the internationally-savvy Joe Strummer was certainly aware of. Was not the persecution suffered by many practitioners of this music--Cheb Hasni, murdered in 1994 by Algerian religious extremists, Khaled, forced to expatriation in Paris--foreseen by lyrics such as "By order of the prophet / We ban that boogie sound / Degenerate the faithful /With that crazy casbah sound"? Perhaps it is in the last track, "Death is a star," that we realize the true greatness and musical genius of The Clash, with Joe and Mick singing in their trademark unison to the fading sounds of an improvised piano...
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Editorial Reviews:
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The final album by the Clash's original Strummer/Jones incarnation is also their most inconsistent. There were musical and ideological rifts developing within the band, and it shows: the experimentation is almost as wild as Sandanista!'s (and the biggest experiment is heading away from their punk shiftiness and into a commercial rock sound), but they seem to be enjoying it less. The band's stabs at funk and poetry aren't terribly successful, but it all came together for two massive hits: "Should I Stay or Should I Go?" has the biggest, stupidest, most perfect riff this side of "Louie Louie," and "Rock the Casbah" pulls the band's politics, fine-honed sarcasm, and saw-toothed guitar sound into the service of a dance-floor beat. --Douglas Wolk
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