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Music CD - Various Artists: The Lost Chords: 1915-1945

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Music CD: The Lost Chords: 1915-1945 Artist: Various Artists
List Price: $22.98
Our Price: $45.30
Your Save: $ ( % )
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Manufacturer: Challenge
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Average Customer Rating:     

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Tracks:
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1. I've Lost My Heart In Dixieland - Original Dixieland Jazz Band 2. Tiger Rag - Original Dixieland Jazz Band 3. Tiger Rag - Friars Society Orchestra 4. Tin Roof Blues - New Orleans Rhythm Kings 5. Panama - Johnnie Miller's New Orleans Frolickers 6. Sizzlin' The Blues - Monk Hazel Bienville Roof Orchestra 7. There Ain't No Gal Like My Gal - Original Memphis Melody Boys 8. Mamma Loves Papa - Isham Jones Orchestra 9. San - Mound City Blue Blowers 10. He May Be Your Man - Original Memphis Five 11. Snakes Hips - The Georgians 12. A Good Man Is Hard To Find - The Red Heads 13. Original Dixieland One-Step - Miff Mole And His Little Molers 14. Imagination - The Charleston Chasers 15. The Wild Dog - Joe Venuti's Blue Four 16. Sensation Stomp - Paul Whiteman Orchestra 17. Sittin' In A Corner - The California Ramblers 18. After You've Gone - The California Ramblers 19. Jazz Me Blues - Charles Pierce Orchestra 20. Maple Leaf Rag - Paul Mares Friars Society Orchestra 21. The Eel - Eddie Condon Orchestra 22. Ja-Da - Bud Freeman Summa Cum Laude 23. Shimme-Sha Wabble - Bud Freeman Famous Chicagoans 24. I've Got A Crush On You - Lee Wiley
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Binding: Audio CD EAN: 0608917901825 Format: Import Label: Challenge Manufacturer: Challenge Number Of Discs: 2 Publisher: Challenge Release Date: 1999-08-24 Studio: Challenge
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Spotlight customer reviews:
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Customer Rating:      Summary: A Greyboy Picnic Comment: OK, OK...the book's not racist, I hear ya...But what is it that Library Journal says?: "throughout, the author repeatedly and unnecessarily bludgeons the reader with the point that these white jazz luminaries contributed to jazz as much as their African American counterparts, whom he mentions only peripherally. His lopsided perspective keeps an excellent book from turning into a classic". Well, no need for me to review the book; this guy said it all. But the CD set? Lots of trivia - clever, "peppy rather than swinging" in the immortal words of Martin Williams. And yet, there's a point here. I'm one who believes in the concept of African Retentions in Jazz - I feel them, I hear them, I sense them, I study them, I know they're there. But "retentions" means what it means, which is to say, it is only part of the story. Some of the rest of the story is to be found here. Let's skip quickly over the Tiger Rag versions - they show the misreading of the secondary downbeat hemiola groove at its finest. The guys play what they play, but they miss a lot, let's just say. Similarly with the approach to that in - the - cracks major-minor - ness of the blues (Tin Roof Blues, for example). They speak a foreign language quite well, those NORK, ODJB-ers.Period charm abounds,and it's a lo-o-o-ong way to the masterpieces. But they do exist...Listen to this version of Ja - Da. Brad Gowans' solo has an unearthly beauty that somehow combines Beiderbecke-isms and Prez-isms on the valve trombone.
These guys like Sudhalter eat out too often on the story of Trumbauer's being Lester Young's main influence. But a track like this one makes the whole thing make more sense - a particular strain in lyricism that runs through Jazz History where the Bix - Tram vocabulary is crucial - essential! But please don't push me too hard to consider Bud Freeman a GREAT Jazz musician. I'll admit he's got his thing, and let's leave it at that, OK? Teagarden, OK - I think even Stokely Carmichael would have to agree about him! Then there's that unique case of Goldkette's Clementine. I'm not sure I really buy Sudhalter's explanation of why this is their only truly great recording (sorry, you'll have to read the book to find out!). But, hey, it's truly amazing, start to finish.
Bix is a whole story in himself - one of the greatest Jazz musicians in the History, and who doesn't think so is just a PC bore, and has to take it up with me. But Man! The number of tracks here which confuse cleverness and glibness with excellence and profundity... We all need to take a deep breath, and sign up for that Remedial Aesthetics course. But just for the record, the Boswell Sisters are awesome, and the Bobcats track will show you where Tom Waits got his groove from.
Customer Rating:      Summary: A Musical Companion for the Book, Lost Chords Comment: If you don't have a large record collection of hot jazz from the '20's,'30's, and '40's, this CD is an excellent purchase for two main reasons. First it's a good survey of white hot jazz in its own right. For example, if you like the Casa Loma Orchestra's cut that's included, you can buy a complete CD (as I did) of that group. The other more interesting reason is that it is a companion to the incredible book of the same name. Now you can follow along and hear just what the author, Richard Sudhalter, is talking about -- sort of a mixed media experience. This is the reason that the CD does not follow strict historical order when it comes to the takes it contains, which is slightly off-putting without the book to go along with it. You can buy the CD without the book, but if you buy the book, you really should buy the CD as well.
Customer Rating:      Summary: What happened to my review that was posted? Comment: why did you take my review ( 4 star) of this CD off the site
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