Music CD - Eric Dolphy: Out to Lunch

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Out to Lunch. Eric Dolphy Tracks: Hat And Beard, Something Sweet, Something Tender, Gazzellioni, Out To Lunch, Straight Up And Down

Music CD: Out to Lunch
Artist: Eric Dolphy

List Price: $11.98
Our Price: $7.48
Your Save: $ 4.50 ( 38% )
Availability: Usually ships in 24 hours
Manufacturer: Blue Note Records

Average Customer Rating:

Tracks:
1. Hat And Beard 2. Something Sweet, Something Tender 3. Gazzellioni 4. Out To Lunch 5. Straight Up And Down

Binding: Audio CD
EAN: 0724349879324
Format: Original recording reissued
Label: Blue Note Records
Manufacturer: Blue Note Records
Number Of Discs: 1
Publisher: Blue Note Records
Release Date: 1999-03-23
Studio: Blue Note Records

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Spotlight customer reviews:

Customer Rating:

Summary: One of the best records I've ever heard, and I've heard a lot
Comment: An utterly inaccessible but extremely worthwhile jazz masterpiece. There's no piano here - Dolphy plays a variety of woodwinds (bass clarinet on "Hat and Beard" and "Something Sweet, Something Tender"; flute on "Gazzelloni"; alto sax on the title cut and "Straight Up and Down"); and the band includes other famous jazz figures such as Tony Williams (soon to join Miles Davis and form his own group, Tony Williams Lifetime) on drums and Freddie Hubbard (also of Art Blakey's Jazz Messengers, Herbie Hancock's Maiden Voyage-era band, and the Coltrane group that made Ascension) playing trumpet. But the real star of the show is Dolphy, merging Monk's innovations in odd chord progression, Coleman's love of atypical harmonies, and Mingus' experiments with song structure - often, the themes are played in odd measures, giving them a tremendously off-kilter feel (the nervy "Straight Up and Down"; Monk tribute "Hat and Beard", with an insane vibraphone part from Bobby Hutcherson). The sole ballad of the set, "Something Sweet, Something Tender", mainly a duet between Dolph and bassist Ron Davis, is beautiful in a weird way, much like some of Coltrane's very last recordings. There's also a strange pseudo-classical experiment ("Gazzelloni") that's absolutely brilliant, because there is nothing else like it. And I do mean nothing - listen to Dolph's flute. It will dispel all notions of the instrument having a pleasant, easy-on-the-ears sound. It also will dispel all notions of vibes being pleasant and easy-on-the-ears, for those looking to see notions dispelled. It's an insane piece, which is precisely why I love it. That, and it has a bass solo. Those are always good. The amazing title track is probably the worst song here, but it would've been the best on any other album - again, the bass solo really is something. I gotta say, get this right now if you like Thelonious Monk, Ornette Coleman, and/or Charles Mingus - especially if you, like me, like all three of 'em. It's not for everybody, but it's very much worth a buy.

Customer Rating:

Summary: A "sweet" and "tender" recording
Comment: After listening to this recording, it was clear Dolphy more than successfully honed his distinct musical purpose. He created music worthy of inclusion into the musical canon. "Outward Bound" seemed like Dolphy transitioning from his Mingus days to his own style. "Out There" was a loose, fuzzy progression toward the "Out to Lunch" recording. "Out to Lunch" is much, much tighter and fully focused. There is not one unessential note on the entire cd. Dolphy's phrases are more exquisitely expressive than ever, with his juxtaposition of low and high notes and "animal sounds". Dolphy is a refreshing change from other heavyweights like Davis and Coltrane, because his does not have an intensely dramatic style. He is down to earth, someone who could describe the average joe's day in a beautiful song. His tone and technical virtuosity gets your attention, but he is not abrasive with either one, a pleasing trait very similar to Parker. As a Monk fan, I would have to say my favorite track on this album is "something sweet, something tender," largely because it is blues-laden, just like all Monk's music. And, like Monk, there is humor in his music, a kind of poking fun at grandiose melodrama, as the lazy chorus drags on "something tender, something sweet." Jocularity is also evident in the humorously uneventful title and cover. One can easily note after the first listen that "Out to Lunch" would not have been as monumental as it became without Hubbard, Hutcherson, Davis and Williams creating a moody, rich environment for Dolphy. This is an essential record.

Customer Rating:

Summary: I remember,
Comment: The first time I heard this album, it was such a pleasant suprise. I've almost never heard a jazz record so unique and pleasant. It's a very creative album that simply sounds good. It seems like it's Dolphy at his best. At least of what I've heard of him.

I do suggest you give this album a listen before you buy it though. It seems that there are a few people who see everyone getting all excited over it, and after they buy it, they realize their taste does differ. Hopefully, though, you'll enjoy this album as much as I do. One of my favorite jazz albums yet.

Customer Rating:

Summary: last great studio album
Comment: This was the last great studio album Dolphy was to record before his early death months later in Berlin in June of 1964. Some of his best works on bass clarinet and flute are found on here, including "Hat and Beard" and "Gazzelloni". Dolphy's bass clarinet skills are typically in the middle range and his phrasing and tonality are just amazing. Freddie Hubbard (t), who played on Dolphy's 1960 "Outward Bound" album returns on here to add his expertise. Richard Davis (b), who played on the 1961 "At the Five Spot" and 1963's "Music Matador", is also present on this date. Bobby Hutcherson (vibes) and Anthony Williams (d) were both new to Blue Note, and their presence on this album assured their longevity with the label. Considered by many fans and critics as the highpoint of Dolphy's career, "Out to Lunch" is certain to bring more fans flocking to Dolphy's work for years to come.

Customer Rating:

Summary: Stellar
Comment: I had only heard Dolphy with Mingus before this album. The playing here is excellent. All the players are great. Dolphy's solos sound like they come from another place and time. Hutcherson makes the vibes sound menacing. I have never been a huge vibes fan but the use of them on these songs is perfect. Young Tony Williams also shows off his amazing ability on the drums. This type of jazz is not for everyone but after a few listens it really grows on you. There is a haunting quality to several of the tunes that is amazing.

More Reviews

Editorial Reviews:
With four of the brightest innovative talents in New York (Freddie Hubbard, Bobby Hutcherson, Richard Davis and Tony Williams) and five startling, diverse originals, Eric Dolphy made the greatest and most adventurous album of his career for Blue Note. Unfortunately, it would be his last studio recording. He died in Germany four months later at the age of 36.

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