Music CD - R. L. Burnside: Come on In

	Music CD: Come on In Artist: R. L. Burnside List Price: $16.98 Our Price: $9.79 Your Save: $ 7.19 ( 42% ) Availability: Usually ships in 24 hours Manufacturer: Fat Possum
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Tracks: 1. Been Mistreated 2. Come On In (Live) 3. Let My Baby Ride 4. Don't Stop Honey 5. It's Bad You Know 6. Just Like A Woman 7. Come On In (Part 2) 8. Rollin' Tumblin' (Remix) 9. Please Don't Stay 10. Shuck Dub 11. Come On In (Part 3) 12. Heat
Binding: Audio CD EAN: 0045778031726 Label: Fat Possum Manufacturer: Fat Possum Number Of Discs: 1 Publisher: Fat Possum Release Date: 1998-08-25 Studio: Fat Possum
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Spotlight customer reviews: Customer Rating: Summary: R.L. Rocks Comment: The Eelectric Blues never sounded so good. R.L. Burnside is very talented and Tract 3 "Let my Baby Ride" is one of my frvorite songs EVER. This album was produced, engineered and mixed by Tom Rothrock and I enjoyed it all the way through. This is an excelent album! Customer Rating: Summary: I prefer to stay outside Comment: This is bad bad bad. I am certainly a purist and hate to see cultural icons and forms such as this melded so poorly. It doesn't work. I love R.L.'s pure blues. They are top notch and tough to find better but electronica and blues doesn't cut it. I am a Depeche Mode fan as well but some things are best left alone. I will be selling this back to a CD store. Customer Rating: Summary: Who Has Been Hiding RL Burnside? Comment: Thank you Sirius Radeo and Amazon for bringing us RL Burside. Too bad the local "music (??)" Channels and stores still haven't got a clue in what great music really is. Its easy to see why "It's Bad You Know" is the most requested song on Sirius Blues. Customer Rating: Summary: An acquired taste, but try it Comment: This album is kind of like wasabi: it takes some getting used to but if you do, you have a friend for life. You're in for a big surprise if you're expecting traditional blues from this old bluesman. This is techno remix blues, which obviously won't please some, but he pulls it off. Best-known and probably the best tune is "It's Bad You Know", played on WXRT in Chicago, who turned me on to the album. Most of the cuts are musical loops, not all of which work, but overall pretty solid and recommended for anyone wanting something different. Die-hard blues purists need not apply. Customer Rating: Summary: Shuck Dub? Comment: Dear Mr. Yates: Are you one of those turtle-neck wearing folks with plenty of money and a nose in the air? Are you one of those that believe that the Blues must adhere to some unforgiving rules that you made up? Get off yo' high horse and put down that pipe! The Blues have always been a "blasphemy", a walk downtown, a soulful melody, a harsh reality.... etc... The Blues NEVER did adhere to any rules of musical education. The Blues is the Blues because of a feeling, an attitude. This album has all of that attitude, irreverent as it is. Take off that turtle-neck sweater and listen to these grooves. Blues grooves. The only other artist to take the Blues to this level this decade has been G. Love. No, it's not your daddy's Blues.... but it is Blues.... fun Blues.... New Orleans Blues... Blues the way it was supposed to be: Fun, Exciting, Soulful and NOT standard! Blues with a capital "B". More Reviews
Editorial Reviews: Now, here's what you call a break from tradition. After bridging the gap between punk and blues on his collaboration with the Jon Spencer Blues Explosion, A Ass Pocket of Whiskey, Mississippi bluesman R.L. Burnside ventures into the world of beats and grooves with Come On In, a series of remix projects with producer Tom Rothrock (Beck, Foo Fighters). The cynics among you may smell opportunism, but Rothrock is sensitive and respectful enough to Burnside's originals to do them proper justice. Even the 4/4 high hat and filtered sound effects of "Rollin' Tumblin'" sound appropriate to the music at hand. Though these treatments--largely instrumental--erase the most of the presence of Burnside's searing vocals, Burnside and Rothrock's adventurousness will win over most to their progressive-thinkin' boogie chillun'. --Justin Hampton