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Music CD - Various Artists: Hitsville USA: The Motown Singles Collection 1959-1971
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Music CD: Hitsville USA: The Motown Singles Collection 1959-1971
Artist: Various Artists
List Price: $51.98
Our Price: $29.98
Your Save: $ 22.00 ( 42% )
Availability: Usually ships in 24 hours
Manufacturer: Motown
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Average Customer Rating:  
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Tracks:
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1. Money (That's What I Want) - Barrett Strong
2. Shop Around - The Miracles
3. Please Mr. Postman - The Marvelettes
4. Jamie - Eddie Holland
5. The One Who Really Loves You - Mary Wells
6. Do You Love Me - The Contours
7. Beechwood 4-5789 - The Marvelettes
8. You Beat Me To The Punch - Mary Wells
9. Stubborn Kind Of Fellow - Marvin Gaye
10. Two Lovers - Mary Wells
11. You've Really Got A Hold On Me - The Miracles
12. Come and Get These Memories - Martha & the Vandellas
13. Pride And Joy - Marvin Gaye
14. Fingertips- Part 2 - Little Stevie Wonder
15. (Love Is Like A) Heat Wave - Martha & the Vandellas
16. Mickey's Monkey - The Miracles
17. Leaving Here - Eddie Holland
18. The Way You Do The Things You Do - The Temptations
19. My Guy - Mary Wells
20. Devil With The Blue Dress - Shorty Long
21. Every Little Bit Hurts - Brenda Holloway
22. Baby I Need Your Loving - Four Tops
23. Dancing in the Street - Martha & the Vandellas
24. My Smile Is Just a Frown (Turned Upside Down) - Crawford, Carolyn
25. Needle in a Haystack - Velvelettes
26. Baby Love - Supremes
27. Come See About Me - Supremes
28. How Sweet It Is (To Be Loved by You) - Gaye, Marvin
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Binding: Audio CD
EAN: 0737463631228
Format: Box set
Label: Motown
Manufacturer: Motown
Number Of Discs: 4
Publisher: Motown
Release Date: 1992-11-03
Studio: Motown
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Spotlight customer reviews:
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Customer Rating:
Summary: Hitsville USA: The Motown Singles Collection 1959-1971
Comment: The Motown Hits Collection is absolutely marvelous! It is a varied collection of memories and history of music in the 60's and 70's from the African-American perspective. It is music for those who enjoy excellent musical arrangements,clear and wholesome lyrics, and music that is filled with love and inspiration from the Motown writers, arrangers, and singers. Above all, it is tribute to Barry Gordy who founded Motown when our world was in racial and political turmoil. He reached in and made some sense of it all. Thanks to him, Smoky Robinson, Holland-Dozier-Holland, Ashford and Simpson, The Miracles, Marvin Gaye, Tammi Terell, Kim Weston, Mary Wells, Brenda Holloway, The Marvelettes, Martha and The Vanellas, Stevie Wonder, The Supremes, The Temptations, Gladys Knight and The Pips, Diana Ross, and many others for making this magnificant music that we have today. This music is timeless and universal. It's guaranteed to please, to soothe, to stimulate, to conjure up memories, and to entertain your deepest sense of pleasure. Sit back, quiet your mind, listen, snap your fingers, stomp your feet as you journey into a galaxy of historical and musical delight.
Customer Rating:
Summary: The REAL Story: This set is PURPOSELY in Mono, for those of you who are wrongly complaining!
Comment: This set was PURPOSELY mastered in all mono, for the uninformed complainers among you! These are the tracks THE WAY THEY WERE ORIGINALLY RELEASED AND THE WAY YOU STILL HEAR THEM ON THE RADIO TODAY!
Motown had been releasing stereo versions of these songs on CD for YEARS starting in about 1985-86. Many customers complained that those were NOT the versions they had remembered hearing, in the 1960s OR the 1980s (on oldies radio). The artists' voices sounded wrong, for one thing. That's because the stereo versions were usually NEW recordings made with the artist RE-SINGING the song--and they sounded different--not the way we remembered. So, Motown in 1992 brought in top remastering engineers to go through the original tapes and re-master the original hits, the way they were originally cut, as SUNG originally.
This set represents the fruit of those efforts, and it is SUPERB. The mono recordings at all times have more punch than the stereo verions, since the stereo cuts were made for albums compiled LATER. The stereo effect itself was often a phony "stereo-like" dilution only, not true stereo. The true hit versions are what you hear on this unrivaled set.
The complaining reviewers here simply have no idea about the history of this set, which was a MAJOR project undertaken to bring back the best and ACTUAL sound, period.
My only concern . . . "What's Going On" by Marvin Gaye was, as I recall, the name of a song and its album. It was released on the album first, hence the mono version on this boxed set (which isn't as smooth and is more "funky" to me), was the afterthought version. While mono, it's NOT the original, so I don't see why it's here.
Otherwise, the only omission of real substance on this set appears to be some of the early Supremes hits . . . though, to me, if anything has been overplayed for years, those were the songs, and hence were the best choice to be omitted.
This set is the definitive Motown box set, ESPECIALLY CONCERNING AUDIO QUALITY. Those who desire stereo are just asking for the inferior versions. And those versions were available for years, because the Motown executives interviewed in the early 1990s indicated that they thought (wrongly) that stereo would be preferred on CD, even at the expense of having the true hit versions. They admitted their error, sought to correct it, and this project is the end result.
Customer Rating: 
Summary: MONO-TOWN
Comment: HITSVILLE USA is a box set that's clearly marked as a SINGLES COLLECTION-- that means these 104 tracks are in the original monaural sound. If you're looking for stereo mixes, this isn't the collection for you. That issue aside, the only real criticism of the album is one of programming-- songs tend to be clustered by artist or group. Perhaps a more thorough shuffle was in order.
Each CD jewel case is fronted with a repro of a Gordy Co. label, including one of the very first MOTOWNs, which was pale pink in color. The accompanying 68-page long box book is quite comprehensive. Recording dates for all songs and chart positions are given. There's lots of great photos; artists and groups are given a few pages of bio each. This HITSVILLE USA four-CD box set is fairly extensive, and about all you'd ever need in a compilation of MOTOWN 45s.
TOTAL RUNNING TIMES --
DISC ONE -- 76:10
DISC TWO -- 75:21
DISC THREE -- 77:09
DISC FOUR -- 74:10
Customer Rating:
Summary: the sound of a young america
Comment: this was my true introduction to the music of motown and now i see why motown was great a lot of these song i frist heard by other artist but hearing the orginals has made appericate the motown sound so much more and i believe anyone who hears these songs will enjoy them for a lifetime and i know i am
Customer Rating:
Summary: Longer Songs
Comment: The Songs on this are FANTASTIC! I Love Mono Recording. Everyone says that if it's stereo, it "sounds better". I think NOT! It Sounds alright. But, Hey, if you want longer mono versions of the music, without the unnecessary extensions, buy this. For example, Nowhere To Run on this box set-2:58.
Motown Box-Nowhere To Run-2:46-TWELVE SECONDS!There's A Big Difference there.
Also, With Dancing In The Street, my favorite part is on this, when Martha says "Yeah", at the end, on Motown Box, 4 seconds are 'remastered'. (frown)Therefore, it is'nt there. BUT, people, There are a few notable songs missing. Quicksand, By Martha & the Vandellas, Bye Bye Baby, By Mary Wells, Playboy, by the Marvelettes, When The Lovelight starts shining through His eyes, by the Supremes, Hitch Hike, By Marvin Gaye, and others, you know what I mean? So, overall, this is the better box to get.
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Editorial Reviews:
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Motown did so many things well in the '60s and early '70s that this overview of the label's smashes (and some lesser-known classics) practically demands four CDs. It gets them, too, filling them with single mixes of more than 100 tracks. That the running order begins with Barrett Strong's statement of purpose "Money (That's What I Want)" and ends with Marvin Gaye's statement of concern "Mercy Mercy Me (The Ecology)" says a lot about how far the company moved in its golden decade--but no more so than what the same two cuts' differences in sound get across. The company was able to blend the smooth and the harsh in ways that few other pop entities have ever mastered, thereby getting over not only to the feet and the wallet, but to the heart. --Rickey Wright
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