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Music CD - Stan Getz, Charlie Byrd: Jazz Samba
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Music CD: Jazz Samba
Artist: Stan Getz, Charlie Byrd
List Price: $18.98
Our Price: $9.99
Your Save: $ 8.99 ( 47% )
Availability: Usually ships in 24 hours
Manufacturer: Polygram Records
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Average Customer Rating:  
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Tracks:
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1. Desafinado
2. Samba Dees Days
3. O Pato
4. Samba Triste
5. Samba de Uma Nota So
6. E Luxo So
7. Bahia (aka Baia)
8. Daesafinado
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Binding: Audio CD
EAN: 0731452141323
Format: Original recording reissued
Label: Polygram Records
Manufacturer: Polygram Records
Number Of Discs: 1
Publisher: Polygram Records
Release Date: 1997-05-20
Studio: Polygram Records
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Spotlight customer reviews:
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Customer Rating: 
Summary: ok but not ideal
Comment: it's great, i just don't dig Byrd's vibe as much as i do Joao Gilberto or Luiz Bonfa or AC Jobim. i dig the way the brazillian guys did their thing so much more, Getz/Gilberto is a good starter, Jazz Samba Encore, and anything else with those guys playing guitar is worth a listen...
Customer Rating:
Summary: Swirling, beautiful bossa nova-jazz
Comment: Jazz is all about being evocative- the greatest examples of the genre have always been the ones that take the listener to another place, that have expressed emotions and ideas with uncanny accuracy. In essence, the best jazz recordings feel like they're coming from somewhere inside you, born out of your dreams and private thoughts and inner longings. Which, I guess, is why I'm so fond of Jazz Samba. The album's warm, lyrical tone instantly paints a portrait of some sun-splashed and utterly peaeful Brazilian beach, a hidden little paradise by a crystal ocean. But there's more to it than that. Jazz Samba's lush textures and instantly hypnotic imagery are downright theraputic. When you're stressed out, angry, or depressed, this is the ideal record to put on; the hypnotic, shuffling bass line that opens "Desafinado" casts a spell that isn't lifted until Getz's gorgeous, velvety solo at the end of "Bahia." The music radiates so much warmth and joy in the meantime, wiping away just about every single one of your worries and fears. It really is a neat trick. Of course, like any great piece of music, Jazz Samba is much more than music. Getz and Byrd make for a formidable team, bridging the gap between jazz's emotive cool and bossa nova's swinging sensuality with irresisitable finesse. The music is simultaneously dreamy and upbeat, hypnotic and energetic, beautiful and propulsive. Basically, it's a great album, and one that belongs in every jazz collection.
Customer Rating:
Summary: Bossa nova music that dips, swings, boasts fine harmonic structures--and an infectious rhythmic pulse !!!
Comment: Bossa nova music was created largely by Antonio Carlos Jobim and João Gilberto in the late 1950s and early 1960s. When Charlie Byrd and his trio heard it, they wanted to make a bossa nova album of their own. The result is this wonderful CD.
The CD track set opens with an extended version of "Desafinado." The guitar gets plenty of air time in bossa nova music; and Charlie Byrd's guitar solo stuns me with its beauty and sensitivity. "Desafinado" plays with a few key changes to enhance the quality of the number; and the percussion works very well, too.
"Samba Dees Days" picks up the tempo considerably; and this ought to brighten any party you play this at! Stan Getz plays tenor sax to perfection; and Buddy Deppenschmidt along with Bill Reichenbach play the drums very, very well. "Samba Triste" is the only truly mournful sounding samba on this album; the minor keys work very well as Stan's melancholy solo enhances the forlorn flavor to "Samba Triste."
"Samba De Uma Nota Só (One Note Samba)" exudes elegance and style; when you listen to this track the fusion of jazz and samba is very evident. "E Luxo Só" reverts to a faster tempo that really makes you want to get up and dance wherever you are; and "Bahia (Baía)" concludes the album with a silky elegance that is singularly beautiful.
There is one extra number. The bonus track is the 45 rpm issue of "Desafinado." Naturally, the shorter version of this number doesn't provide us with the luxurious meanderings of the full length track. Nevertheless, it interests the listener to hear what the band chose to include--and exclude--when, under time constraints, they had to deliver the number fast yet with all the brightness of the full rendition. You won't be disappointed.
The liner notes include the original liner notes by Dom Cerulli; and there are great black and white photos of the band members playing. John Litweiler contributes an informative essay about the creation of the album as well. The quality of the sound is excellent.
I highly recommend this CD for any fan of bossa nova music; and people who enjoy jazz with a samba twist will cherish this one for ages to come.
Customer Rating:
Summary: Old School
Comment: This CD was all I expected and more. It was soothing without being muzac, and there was plenty of latin for spice. I was raised with the old school style of jazz and this really fit the bill!
Customer Rating:
Summary: I'd give it 6 stars if I could!!!
Comment: Stan Getz is in this sax player's opinion the best jazz saxophone player that has ever been recorded. His sense of melody is superb. He hides his amazing technical prowess, makes it sound effortless, and never gets in the way of the melody. Nobody else even came close to his melodic improvisations.
I've worn out a few Jazz Samba LPs and now own it on CD. It's a timeless classic. It has perhaps the definitive version of "One Note Samba" on it. "Desifinado" "Bahia", "O Pato" also shine very brightly. In fact, there are no tracks on this CD that are less than superb.
Stan played a lot of different jazz styles, from Cool School to Post Bop to Bossa Nova. And although he is not from Brasil, Antonio Carlos Jobim wrote a Bossa tune honoring him because his "voice" fit the mood so perfectly. Of all the things Stan did a good job on, Bossa was perhaps his forte. And this album along with "Jazz Samba Encore" are two of his best Bossa albums ever.
I'd give it 6 stars in a 1 to 5 star rating system. It's a "desert island" disk.
Bob "Notes" Norton
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Editorial Reviews:
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Guitarist Charlie Byrd was invited to travel and play in Brazil during a cultural goodwill tour sponsored by the Kennedy administration in 1961. He was completely enamoured by the music, and when he returned, he headed straight for the recording studio to make the now classic Jazz Samba. Collaborating with Stan Getz on tenor sax and backed by a band that included Gene Byrd (bass, guitar), Keter Betts (bass), and Buddy Deppenschmidt and Bill Reichenbach (drums), Byrd forged a new and brilliant sound. American record companies were to churn out hundreds of watered bossa-pop albums that have since given the style its lounge-addled image, but this album stands as a tribute to the vitality and adaptability of jazz. --Louis Gibson
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