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Music CD - Puccini - Turandot / Sutherland · Pavarotti · Caballé · Ghiaurov · Krause · Pears · LPO · Mehta

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Music CD: Puccini - Turandot / Sutherland · Pavarotti · Caballé · Ghiaurov · Krause · Pears · LPO · Mehta
List Price: $33.98
Our Price: $20.57
Your Save: $ 13.41 ( 39% )
Availability: Usually ships in 24 hours
Manufacturer: Decca
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Average Customer Rating: [ not yet rated ]

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Tracks:
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1. Turandot: Act I: 'Popolo di Pekino!' (Un Mandarino) - Act I: 'Indietro, cani!' (La folla - People - La foule - Die Menge)184276 - Puccini 2. Turandot: Act I: 'Gira la cote!' (La folla - People - La foule - Die Menge) - Act I: 'Perche tarda la luna?' (La folla - People - La foule - Die Menge) - Puccini 3. Turandot: Act I: 'O giovinetto! Grazia, grazia!' (La folla - People - La foule - Die Menge) - Puccini 4. Turandot: Act I: 'Figlio, che fai?' (Timur, Calaf) - Puccini 5. Turandot: Act I: 'Fermo! Che Fai? T'arresta' (Ping, Pang, Pong) - Act I: 'Non indugiare!' (Le ombre dei morte - Phantoms - Les ombres des morts - Die Schatten der Toten) - Puccini 6. Turandot: Act I: 'Signore, ascolta!' (Liu) - Puccini 7. Turandot: Act I: 'Non piangere, Liu!' (Calaf) - Puccini 8. Turandot: Act II, Scene 1: 'Ola, Pang! Ola Pong!' (Ping) - Puccini 9. Turandot: Act II, Scene 1: 'Ho una casa nell 'Honan' (Ping) - Puccini 10. Turandot: Act II, Scene 1: 'O mondo, o mondo...' (Ping, Pang, Pong) - Act II, Scene 1: 'O tigre! O tigre!' (Ping, Pang, Pong) - Puccini 11. Turandot: Act II, Scene 2: Introduzione - Puccini 12. Turandot: Act II, Scene 2: 'Gravi, enorme ed imponenti' (La folla - People - La foule - Die Menge) - Puccini 13. Turandot: Act II, Scene 2: 'Un giruamento atroce mi costringe' (L'Imperatore) - Puccini 14. Turandot: Act II, Scene 2: 'Popolo di Pekino' (Il Mandarino) - Puccini
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Binding: Audio CD EAN: 0028941427427 Format: Box set Label: Decca Manufacturer: Decca Number Of Discs: 2 Publisher: Decca Release Date: 1990-10-25 Studio: Decca
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Editorial Reviews:
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Joan Sutherland is not usually considered a Puccini singer, and in fact she sang the role of Turandot only in the recording studio. But for that assignment she had exactly what was needed: a voice that seemed to have no upper limits and a personality that concealed vulnerability under an air of icy detachment. She also had an ideal set of colleagues, notably Luciano Pavarotti, whose "Nessun dorma" has become practically his signature tune. --Joe McLellan
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