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Music CD - Aphex Twin: On

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Music CD: On Artist: Aphex Twin
List Price: $7.49
Our Price:
Your Save: $ 7.49 ( 100% )
Availability:
Manufacturer: Warner Bros / Wea
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Average Customer Rating:     

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Tracks:
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1. On 2. 73-Yips 3. Xepha 4. On (Reload Mix)
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Binding: Audio CD EAN: 0093624121725 Format: Single Label: Warner Bros / Wea Manufacturer: Warner Bros / Wea Number Of Discs: 1 Publisher: Warner Bros / Wea Release Date: 1994-01-20 Studio: Warner Bros / Wea
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Spotlight customer reviews:
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Customer Rating:      Summary: Good Comment: Aphex Twin has always been one of my favorite artists. And this CD has added 4 more songs to my growing twin collection. "On" is the best by far, but "73 Yips" can be fun too.
A good buy.
Customer Rating:      Summary: Possibly the best single ever made Comment: This was one of Richard D. James' first efforts of putting his mastery of music on an album, and is also one of his finest efforts. With only four tracks, it covers all of his experimental endeavors of the early to mid 90s. That's not saying he wasnt every experimental, as he is known as the most experimental artist of his genre, which goes to show how vast this small single is for its size. Each song is a masterpiece, no matter how distorted or violent the songs are. If you've got $8 or $10 to spare, spend it on this one. If you are an electronica-fan who's got an open mind, it will be a great experience.
1. On- 10/10- A very beautiful work of art. Very much like Xepha but not quite as complicated or broad. A great ambient piece.
2. 73-Yips- 8/10- One of the harshest electronica pieces ever made. Just as violent and harsh (or even more violent and harsh) than Ventolin (from I Care Because You Do), which is known as the harshest electronica song ever made. Despite it's harshness, it's a great song (if you can take it). But I like it. It takes a while to get used to, though.
3. D-Scape- 10/10- Is a little harsh, but is definatly nothing like 73-Yips. D-Scape brings Richard D. James' harsh sounds with his gentle ambient sounds.
4. Xepha- 11/10- One of the most beautiful artworks Richard D. James has ever made. This one song alone is worth the price of the whole CD.
Customer Rating:      Summary: Five Stars for track 4 Comment: The first track has an AT melody that goes nowhere. The second is a drill and bass - another typical AT tactict. The third track in not bad -nice echo, reverb and percussion stuff - but it also goes nowhere.
Track four is the stand out - my copy says is is the Reload mix of ON - top notch stuff guys! It makes the 'original' lame and tame.
Customer Rating:      Summary: Darn near the best single ever Comment: Aphex Twin's work is highly experimental and often incredibly unaccessible, yet somehow he maintains his popularity. Maybe it's because he's so bloody talented. "On" is one of the most accessible and likeable tracks he's ever produced. People who hate club music like On. People who abhor music without guitars like On. Deaf people like On. I've never met anyone who DOESN'T like On. I feel that Reload's remix is exactly what a remix should be - namely, not the same song with a different beat. Truth is, the two mixes have little in common, but you'll like them both anyway. Finally, from previous reviewers I sense a feeling that the middle two tracks are unworthy of being on the album. I can see where this resentment comes from with the painfully abrasive industrial grind of 73-yips, but I think Xepha is brilliant. Anyways, experimental dance is often hit or miss. Get this disc. It's worth whatever paultry sum you pay for it.
Customer Rating:      Summary: Great first track. Comment: Now that Drukqs has, it seems, wrapped up AFX's career, and more is apparently not forthcoming, I'd say it's high time for him to cap it all off with the release of a compilation of non-album tracks. Oh, there's one out there already, called Classics, but it's clearly insufficient when we've got songs like "On" that aren't on it. "On" is quite simply fantastic, which was apparently reason enough for AFX not to include it on an album. It's certainly simple, but it's anything but boring - a piano melody of unearthly fragility is married to percussion that sounds like rain and warm strings flowing like tides. Like all truly good Aphex Twin songs, it defies verbal description; you'll just have to take my word for it.The B-sides, as is often the case with B-sides, don't approach this level. "73-yips" is an entry in "drill'n'bass," by far the least listenable, least musical and most dispensable style of electronica; perhaps there's some merit to this track, as far as that style goes, but I don't see it, and after it gives you a headache after half a minute, I doubt you will either. "D-Scape" is a bit better - like "On," it's basically one very minimalist keyboard melody set to an equally minimal, quiet yet insistent beat and a few weird samples of phones ringing. Unlike "On," it lacks variety and evocativeness; it's eerie for sure, but far too simple and far too long to really be good. "Xepha" suffers from similar problems; it's the best of the B-sides due to its groovy percussion, but doesn't have too much in the way of hooks and melodies aside from that, and doesn't convey any specific mood particularly well either. It sounds like the beginning to a great song, as if AFX had laid down the rhythm tracks for one, begun to play with the background effects and instruments, then got bored and quit, leaving the song unfinished. Lastly, the remix of "On" is competent, but lacks the emotional evocativeness of its original, and thus won't be replacing it anytime soon. Still, half-realized B-sides aside, "On" really is lovely. I usually am not a big advocate of purchasing singles, but after some deliberation I'd say that "On" makes this one worth it. Until my hypothetical compilation (how about it, AFX?) becomes a reality, this is the only place where you'll be able to find it. Need I say more?
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Editorial Reviews:
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Aphex Twin's On EP is clearly one of Richard James's most successful works, both artistically and chartwise (hitting the low 30s on the British charts--not bad for a rabid experimentalist). His first major release in the U.S., the weirdly club-friendly yet organic title track is composed of (in order of appearance) four pleasant, reverberating piano notes played in succession; a cascade of ascending and descending keyboard notes that quickly approximate a waterfall; the sound of actual water itself in form of a rainstorm; synth washes for ambient coloring; skittering sequencer rhythm notes; an antique Suicide-style beat box that sounds as if powered by steam; and a deliciously distorted, bass-heavy, repeated squeal noise that serves as the focal point of the entire piece. It's pretty neat, enough so that it's one of James's essential recordings. --Mike McGonigal
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