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Summary: Maire Brennan continues to bless her hearers...
Comment: This CD like all her others maintains a beautiful calming sense of peace and strength combined. She just keeps getting better and better.
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Summary: Love this ablum
Comment: This ablum is wonderful, My favorite song was Oro, this whole ablum is stunning!!! Moya has a Christmas ablum coming out and I'm sure it will be a beautiful as this
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Summary: Good Debut!
Comment: This was the third album of Maire's that I had heard, and comparing it to the other two (Perfect Time and Whisper to the Wild Water) at first left me disappointed. It sure grew on me! My favorite before had been "Perfect Time," but I now revise that. It certainly is very different from "Perfect Time," and in my opinion, better. It has a much more worldbeat sound than her later work; mixing in African-style drumbeats and Middle Eastern bouzouki solos, it almost reminds me of Loreena McKennitt (especially on "Live in Paris and Toronto"). "Ce Leis" is a wonderful opener, with a style all her own.
"Against The Wind," with a beat that I have determined is almost identical the one that drives the Clannad song "A Mhuirnin O" (from Landmarks) is certainly the most energetic cut.
Contrast that with one of my favorites, "Oro," a slow Gaelic lullaby which works primarily because of its simplicity.
The only misstep, "Voices of the Land," tends to depart from the melodic approach used on the rest of the tracks. The chanting chorus (in my opinion, anyway) ruins the song, and I take off a star for that. But the album quickly recovers!
"Jealous Heart," while not my favorite, is a nice folk ballad.
No other reviewers seem to notice the similarities between Maire's "Land of Youth" and Enya's "Storms in Africa," but they stand out to me. I like to hope she wasn't just copying off of her sister...but either way it's a wonderful song.
"I Believe (Deep Within)" never made much of an impression on me either way.
"Beating Heart" has always sounded African to me. It is certainly the weirdest song (but in a good way!), with almost no instrumentation besides the percussion and chanting vocals.
If I had to pick an absolute favorite, it would be "No Easy Way" This wonderfully ethereal song mixes exotic instruments with a style reminiscent of Enya's work. Even the slight touch of jazz at the end (which I usually hate) seems to work here.
"Atlantic Shore" is a bit more pop-oriented than the rest of the album, but it's not out of place.
I definitely recommend this to Loreena McKennitt fans. Clannad listeners will find a much different style in her solo debut than they are used to. As for Enya, her older sister experiments a lot more, but may be enjoyed by fans.
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Summary: Simple, but slow
Comment: Good sleeping music. I found myself waiting for something to happen in a lot of the cuts. The voices are charming, the instruments are nice. Elevator music, or background.
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Summary: Voice of Clannad goes solo, with worthy results
Comment: Maire (pronounced moya) Brennan, did some time with Clannad as their lead singer with her famous sister Enya. This album played a lot at my store when first released. It wasn't until much later that I learned of Maire and Enya's familial link. After recalling the sound and the lilting vocals, which has a deeper softness a la Mary Fahl of October Project, I thought, well, no wonder."Ce Leis" is a quiet melancholy affair where Maire's harp comes in. The haunting backing vocals by her family, Dee, Olive, and Bridin Brennan, recall that of her more famous sister, and the protagonist is haunted by the absence of a loved one. The Celtic chorus "Ce leis an dholas/I meascc mo dhaoine/bimse uaigneach" translates to "Whose is the sorrow among my people I feel alone."
Pounding drums and traditional sounds and chants dominate the upbeat "Against The Wind", which tells of intergenerational struggles. "Old ways follows the beaten track," whereas the new generation are "defying their leaders/holding out for free will." These are the people who are against the wind, going that road less travelled. So the message is "The game is in your hands/reach for every moment."
"Oro" has high-register, angelic voices from any of Enya's albums. This is a lullaby to an infant, and the Brennans' vocals chanting the refrain "Codlah samh a paiste mo chroi" adds a very benevolent touch. It means "Sleep peacefully my sweet child" This alone makes it a standout track.
The mid-paced "Voices Of The Land" is an introspective question beholding the beauties of Earth, "streams of silver/streams of gold" and the "trees so tall and proud". She wonders how much longer they will last. The words themselves could be recited as poetry. The backing Brennans provided a chanting refrain after the chorus.
The quiet guitar and drum ballad "Jealous Heart" tells the story of someone who tries to forget someone by trying to put new roots, but she hears the voices calling her to come back home. The Brennans' voice are really angelic when they sing the title.
"Land Of Youth (Tir na nOg)" fascinated me because of the story, based on Irish folklore. A warrior, Oisin, encounters Niamb, a beautiful woman who offers him eternal youth and love in the title land. He grows homesick, only to have Niamb inform him that three centuries have passed in Ireland. She gives him a white horse that would carry him to safety, but his feet must never touch the ground, or else he will never return to her. He descends to help a man building a stone wall, and guess what happens? He ages three hundred years! This kind of recalls the Japanese legend of Urashima Taro, who ages under similar circumstances.
The Enya-like piano ballad "I Believe (Deep Within)" is a showcase for Maire's voice, and tells of a man who yearns for freedom and a new start but is financially unable to leave home. Maire's lilting up and down voice reassuringly sings "Never lose the faith/from your faded heart/never lose desire/to drift away." This story of the Irish experience must have been felt by many who were bound to their hard land.
"Beating Heart" is a danceable jig, featuring the Brennans, who sing in unison to the thundering drums and snappy percussion.
"No Easy Way" has to do with life's decisions, and some lines sung in Celtic by the Brennans recall a mother's advice. "Mothaim thu cogarnai/mohaim thu le comhairle" translates to "I hear you whispering/I hear your advice." She sagely then asks "How can we know what the book of life holds for us all?"
"Atlantic Shore" has a pop-sensible beat and finishes the album. Most of the songs here are mellow like her sister, and some of them recall Enya's music, the difference being Maire's up and down voice. Yet another interpretation of the Enya/Clannad sound that is worthy in its own merit.