Customer Rating: 
Summary: One of my favorites
Comment: I purchased this CD ages ago when I was going through a folk/indie type phase simply because of the Sinead rendition of "Sacrifice." After listening to it though, I fell in love with the entire disk. I, of course, allowed someone to "borrow" it and lost it. I have been searching for it in stores ever since and was never able to locate it until Amazon.com came to the rescue.
Customer Rating: 
Summary: Good concept, marred by dated productions
Comment: This CD was a good concept, but the early '90's production values, with the soprano sax solo (god help us) at the beginning of Joe Cocker's other wise notable version of "Sorry.." and the vocals shrouded in harsh, excessive reverb are the worst of the crimes. For the most part the new versions shed no new light on the songs, and in most cases screw them up with overly-synthed arrangements.
The few exceptions, though, are entirely worth the price of this CD, first and foremost being "Sacrifice" by Sinead O'Connor. The synth accompaniment is sensitive and well-guaged, and, despite the excessive reverb on the vocals, her performance is emotional without being oversung, and simply sublime. Also, Kate Bush's "Rocket Man" is charming and approprately ethereal in places, and Oleta Adams' piano-based performance on "Don't Let the Sun go Down on Me" is a welcome respite from the overly-electronic sounds on the rest of the album. If they could only remake this CD with modern production values, like using real acoustic instruments instead of synths and applying vocal reverb judiciously, that would be great.
Customer Rating:
Summary: This CD deserves a sequel, possibly a boxset
Comment: Congratulations,by stumbling on these CD reviews,you've manifested at least some level of inquisitivenss and or appreciation for other artists interpreting Elton and Bernies music. There's a reason,these two artists have built a serious classic body of work. Their music has reached the rare elevation of music defined as standards. This criteria used to be reserved for writers as Irving Berlin,Cole Porter, etc.
Music that tends to remain vibrant through the ages. Elton and Bernie's creations,given a 30+ year legacy, more then qualifies.
One ponders the music Lennon and McCartney would have created , if they had collaborated post Beatles. No one has to wonder about that with Elton and Bernie,its all out there. Their music creations continue to charm and reward the public as both these artists grow broader in life experiences. That said, what makes this CD a classic? It's the marvelous body of continually rewarding work interpreted by a wide range of legendary artists. Whoever selected this rooster has my eternal appreciation.
Sinead O'Conner gives " Sacrifice" a truly haunting and spiritual quality. It's simply one of the best recorded performances I've yet to hear from her. When listening to this track,please don't ignore the keyboard contributions of Paul Golding. This track alone is worth the price of admission. Same goes for Kate Bush's interpretation of " Rocket man". I'd love to hear her record an entire CD of Elton and Bernies tunes. Sting's version of " Come Down in Time " is breathtaking. Pay close attention to the piano contributions of Nancy Treadlight. This track wouldn't have achieved the same level without her artistry. Kudos to Hugh Padgham for the mix.
The Who and Beach boys turn in a yeoman's job with their choices. Neither group dissappoints. Wilson Phillips deserve special note. It's truly a discovery to hear their interpretion of "Daniel". Although considered a " light weight' pop group. They turn in a steller performance of Daniel. Their haromonies are magnificant and a female interpretion of the tune was long overdo. It makes the lyrics even more delicious. Honors for this track must be bestowed to another musical legend, Mr. Glen Ballard. Joe Cocker is the next artist to nail these body of work with his delivery of "Sorry..." One could almost believe the song was created exclusively for him. Of special note, is the sax work contributed by Deric Dyer. His licks are truly amazing and add to the tracks success.
Tina Turner delivers her version of "The Bitch is Back". She worked this tune to perfection through countless concert performances. Absolutely a classic and so interesting to hear a female interpretation. Rod Stewart delivers his version of "Your Song". Rod is a consumate artist. He makes everything seem easy and understated but its his huge talent that makes this perception deceiving. This tune is a perfect example. One listening with untrained ears might assume he phoned this in. However, it's just the opposite his artistry nails this tune in the manner it was intended. Thanks Rod! Bruce Hornsby's vocal interpretation, dare I say, exceeds Eltons. I know this statement is offensive to some but I stand by it. Just his keyboard work, delivered as an instrumental track, would have placed this track close to the top.
Oleta Adams simply kills "Don't let the sun go down'. Her lyrical/ musical interpretation makes this song a gem.
Finally, there's Phil Collins, Hall&Oats, George Michael and Bon Jovi tracks which I consider bonus tracks. They're really not needed but they don't detract either. Somewhat intertaining at best. My only wish is the a second CD ( box set ? ) with this concept is released sometime in the future. There's certainly enough E&B tunes out there ripe for the picking. I'd also suggest an instrumental project interpreting E&B tunes with leading jazz artists has a lot of potential. That's really the key to the greatness of this body of work. The lyrics could stand alone as published poetry and the music could also succeed strictly as instrumental versions. Putting the two together and including artists of this magnitude on this CD i absolutely inspiring.
Customer Rating:
Summary: "Adult contemporary" collection that could use sequel...
Comment: To me, it makes for pleasant listening by well known artists during the time of release. I like all of it, but my highlights are Kate Bush (who recorded "Candle In the Wind" on the CD single for "Rocket Man"), Joe Cocker, Tina Turner, Hall & Oates, Oleta Adams, Sinead O'Connor, Phil Collins, and George Michael (who would cover "Don't Let the Sun Go Down On Me" with Elton 2 years later). Due to the massive amount of material Elton and Bernie wrote (before and since) as well as different ways some of these songs could be reinterpreted, they should put out a second volume to it, esp. after hearing Tim McGraw doing "Tiny Dancer". A lot of the early songs have a lot of R&B and country elements that could take his songs into directions not on this collection, geared towards adult contemporary circa 1990.
The Who's performance is decent, and wound up on their box set.
Considering the "Face to Face" shows since, one has to wonder why Billy Joel wasn't asked at the time.
I think that his 90s-00s output has been great, esp. in the past few years. From "The One" to "Peachtree Road", you can picture other people doing some of these songs as well as revisiting some of the lesser known songs from the 70s and 80s.
Finally, Jeff Buckley had done "Curtains" from "Captain Fantastic" that has circulated in bootleg circles, but is amazing even if the recording quality isn't that great, but would be worth putting on a "Vol 2".
Customer Rating:
Summary: Interesting but not perfect....
Comment: I stumbled upon this album again recently, it was bought for me as a birthday gift as I had long since lost the original.
I bought it on it's initial release in 1991 and on the whole I loved it. I tend to judge a great album on how many times I want to listen to it from beginning to end, This album doesn't get that kind of play. It tends to be one of those albums I listen to with the, "skip track" function on the remote control never far from my index finger! There are some fantastic tracks and the partnership of John and Taupin definitely deserves some celebration, it just seems it was not entirely pitched in the right way.
The tracks are stunning and there are some fantastic reworkings by highly individual artists. I think particularly of Kate Bush, The Who, Joe Cocker, Tina Turner, Rod Stewart, Oleta Adams, Sinead O'Connor and George Michael.
Equally there are some badly hashed songs by artists who are either uninspiring, out of place or just plain not good enough; to illustrate these points I think of Phil Collins, Jon Bon Jovi and Wilson Phillips respectively. Shame becuase had the producers had the courage to find just a few more well suited artists of a high calibre then I would be writing a 5 star review.
Having said that I am much more happy with this than not, it is a great celebratory peice and these days you could always just slap your favourites on your MP3 or iPod!
Worth a listen or two, even if only to get you exploring Elton's early career which is by far the better part of his years on the music scene.
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