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Summary: christmas gift
Comment: bought this cd for my dad for christmas and he said it reminded him of when he was a kid in kentucky. i would recomend this for anyone looking for this kind of old time mountain music
Customer Rating: 




Summary: Absolutely essential
Comment: This is a marvelous collection. Along with "High Atmosphere", I consider it essential to orient you to the way the music really sounded. Most people come to Old Time music from some place else...bluegrass, country, or one of the great modern oddities like Old Crow Medicine Show or The Bad Livers. Perhaps you got the bug from "Oh Brother Where Art Thou". Well, you're on the right path with this very big 2 CD collection that not only has achingly beautiful a'capella balads, red hot fiddling, and some really phenomenal banjo work, but also haunting church shape note singing. Get "High Atmosphere" as well, and once you've absorbed them, branch out from there.
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Summary: OLD TIME MUSIC
Comment: GREAT CD. THE CD CASE IS KIND OF DUMB, BECAUSE IT LIST THE ARTISTS AND TRACK NO. ON WHICH THEY PERFORM, INSTEAD OF THE ARTIST AND THEN THE SONG. THE SONGS ARE WRITTEN ON THE CD LABEL THOUGH. STILL A GREAT CD. VINTAGE SONGS, VINTAGE STYLE
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Summary: The hills were alive!
Comment: Having just reviewed another of John Cohen's excellent collections (High Atmosphere) yesterday, this seemed like a natural choice for today. This was recorded in 1959. Obviously the biggest "star" here is Roscoe Holcomb. He is the one person on this 2-disc set who is the most well-known to the largest number of people, but this is by no means a one-man collection. In fact, I don't even consider Roscoe to be the best musician present here. For the life of me I still cannot figure out why Bill Cornett's name isn't thrown around as "one of the greats". His voice and banjo playing, particularly on Pretty Polly, Old Reuben, Born In Kentucky, Sweet Willie, etc... just knock me out. Born In Kentucky being a variant of the more well-known tune, Dark Holler.
J.D. Cornett has a fine solo-vocal version of Spring of '65, and you do indeed get some fine stuff from Roscoe here in case he is your main focus. From bits of Jack-A-Roe to one of his "I made it myself" tunes where he then lifts an entire lyric from a Blind Lemon Jefferson tune, though neither he nor the liner-notes make mention of this. Plus, I will take Roscoe's Wayfaring Stranger over Bill Monroe's any day of the week. All in all, it's good stuff!
Moving on, I personally am not too much for the sets of church tunes, aside from Clap & Shout on disc two. However, there are alot of jewels in the sand of disc two. The highlights of disc two, for me, come in the form of Granville Bowlin's segment, Mrs. Sams solo-vocal Wagoners Lad, James Crase's various fiddle tunes, and Lee Sexton's solo banjo St. Louis Blues and his Pretty Polly that is rather closely related to Bill Cornett's but not as powerful. I just love Mrs. Sams' voice. Everyone has their own aesthetic of what is good and what isn't, and for me, Mrs. Sams is just exactly what a wise old female mountain singer should sound like.
There is such a richness and rugged individuality to all these performances that it just breaks your heart to know that for the most part, these traditions are gone. At least we were lucky enough to have someone like John Cohen roaming the hills and making these priceless recordings for all of us.
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Summary: This is excellent
Comment: This CD set takes you into a world of simple but hard labor, soul crushing poverty and soul liberating music. Its historically and musically important. A must for banjo players who have an interest in the evolution of how the instrument is played.