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Summary: So-so
Comment: I think this is a case of "you had to be there". If you remember the Weavers, and remember the influence they weilded, and remember them being blacklisted during the McCarthy era, you'll probably impose a lot of memories onto this average quality recording and enjoy it immensely. I don't remember any of that. I grew up when folk music was popular, not a dangerous political statement, so this just seemed like any other recording of people singing folk songs. I forget how much it cost, but I definitely got my money's worth.
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Summary: Magnificient piece that has not aged
Comment: Two incredible recordings were made from the 1955 shows at Carnegie Hall. This one and "The Weavers On Tour". Unfortunately the latter has not yet been released on CD. Both recordings have an energy that holds up 50 years later. Listen!
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Summary: A triumphant return to fame after the blacklist!
Comment: This CD is a wonderful record of the triumphant concert by The Weavers given at Carnegie Hall on December 24, 1955. After a three year hiatus because they had been blacklisted by McCarthy, The Weavers began to play again in 1955 and played Carnegie Hall to a packed audience! This CD records both the concert and the electric atmosphere in the concert hall that night.
Of course, The Weavers sing their hits "Goodnight Irene" and "Kisses Sweeter Than Wine" as well as songs from around the world such as "Suliram (I'll Be There)" from Indonesia and "Shalom Chaverim" from Israel. The group believed that folk music included more than just American songs. This belief is shown again when they sing "Around The World."
Although one reviewer says the sound is "so terrific," in my opinion the sound quality varies throughout the CD. Although sometimes it does seem as if they're in my living room, this concert seems to have been recorded in mono originally for LP and also if you listen very closely there seems to be several times when the singers are cut off just as they end the last note of the song. The recording of the concert is strictly speaking not complete since the applause is very obviously edited.
Overall, this CD is a great addition to any collection. The Weavers sing a broad variety of songs set in the folk style, such as "Greensleeves" and "Sixteen Tons." This CD is no longer so easy to find. Get it now-it is harder to find for a GOOD reason! GRIN
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Summary: Weavers Forever!
Comment: I was given this album in the late 1950s when a young teenager. Since then I of course became a Bob Dylan disciple, then became heavily addicted to the best British rock and pop music, through The Who, The Beatles, Kinks, Animals and all the other members of that extraordinary 1960s caravanserai.And amidst all that was the explosion into my consciousness of great classical music, experienced through the likes of Oistrakh and Richter, Giulini and Klemperer, Schwarzkopf and Popp.
I still love ALL types of great music. And I still regularly return to The Weavers and still marvel at their art and their commitment. And of all their recordings I have heard since they first impinged on my young consciousness, this 1955 concert at Carnegie Hall is still the freshest, thumpingest, foot-stomping best. Buy it now. No matter what your age, it will enrich your musical life forever.
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Summary: I DARE YOU NOT TO SING ALONG
Comment: I never saw/heard The Weavers live, but I have many of their albums and have played this particular one, literally, hundreds of times. No, I am not a big folk music fan. In fact, I cannot think of one other so-called folk album in my collection of CD's.The first thing one notices about this live concert, recorded in February of 1955, is that the sound is so terrific-- as if recorded in that great concert hall yesterday. At the same time, the sense of pure joy coming from the stage and then back from the audience is palpable.
The four voices that make up the group are individually so fine & so idiosyncratic: the big, booming bass of Lee Hayes, the sweet baritone of Fred Hellerman, the totally unique sound of Pete Seeger and, best of all for me, the warm alto of Ronnie Gilbert whose every note is just about perfect and whose enunciation is superb. You understand every single word she sings on every single song.
From Ireland, Africa, Indonesia, the American South, Israel, etc. every song is chosen perfectly and matchlessly performed....and I promise you that you'll never listen to "Greensleeves" ever again, without slyly smiling. It is easy to hear that the audience is having the time of their lives. The Weavers are a national treasure. I dare you not to sing along. Highly Recommended.